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I was systematically reading through Hermann Hesse’s novels when I first met Carolyn in 1983, and we have both really enjoyed his inspiring books and other creative output.
Hesse was a brilliant German-Swiss novelist, poet, and painter who lived between 1877 and 1962. Some of his most well-known books include Siddhartha, Demian, Steppenwolf, and Magister Ludi: The Glass Bead Game, which are my favorites as well. Each book explores a similar theme, of an individual’s efforts to break free from the established modes of civilization, and begin a quest for self-knowledge and spiritual understanding.
Hesse was born in Calw, Germany and he later became a citizen of Switzerland. Hesse began working in a bookstore in Tübingen as a teenager, and at the end of his twelve-hour shifts, he worked on his own writing. His first publication came in 1896, with his poem Madonna in a Viennese magazine, and later that year this was followed by the publication of a small volume of his poetry titled Romantic Songs. Hesse’s first poetry collection wasn’t met with much success— it only sold 54 copies in two years— and Hesse’s mother didn’t like the poems, calling them “vaguely sinful,” which was upsetting to Hesse.
In 1899 Hesse began working at another bookstore in Basel, and spent much time alone, engaged in self-exploration. Due to an eye condition, in 1900 he was exempted from compulsory military service, and he suffered from nerve disorders and persistent headaches throughout his life.
In the early years of the last century, Hesse published more poems and some short prose in journals. In 1904 Hesse’s novel Peter Camenzind was published, and this was a breakthrough novel for him, as from this point on, Hesse could now earn a living as a writer. The novel became popular throughout Germany, and the Austrian neurologist Sigmund Freud praised Peter Camenzind as one of his favorite novels.
Hesse’s parents had a profound influence on his spirituality, and he said of his parents that, “their Christianity, one not preached but lived, was the strongest of the powers that shaped and molded me.” Self-exploration and spiritual development became important themes in many of Hesse’s writings. There was a ‘quest for enlightenment or self-realization’ theme in his books Siddhartha, Journey to the East, and Narcissus and Goldmund, and he often drew from Buddhism, Hinduism, and other Eastern philosophies in his novels. Hesse saw value in the varied forms of spiritual expression, and said, “For different people, there are different ways to God.”
Hesse is the author of 29 books. He also began painting when he was in his early 40s, and he created a legacy of around 3000 beautiful watercolors. The book Trees: An Anthology of Writings and Paintings collects Hesse’s poems and essays on the subject of trees and is accompanied by 31 of his watercolor illustrations, and the book Hesse as Painter collects 20 of his watercolors.
In 1946 Hesse received the Nobel Prize in Literature for his book Magister Ludi: The Glass Bead Game. However, despite Hesse’s status as a Nobel laureate, when Hesse died in 1962, his work wasn’t very well known in the United States. In fact, in the obituary that The New York Times published after Hesse’s death, said that his work was largely “inaccessible” to American readers.
This all changed in the mid-1960s when Hesse’s books suddenly became bestsellers in the U.S., and within the span of a few years, he became the most widely read and translated European author of the 20th century. The revival in popularity of Hesse’s works has been credited to their association with some of the popular themes of the 1960s counterculture, and according to Bernhard Zeller’s autobiography on Hesse, “in large part, the Hesse boom in the United States can be traced back to enthusiastic writings by two influential counterculture figures: Colin Wilson and Timothy Leary.”
Hesse’s work has had a considerable cultural influence. The band Steppenwolf took its name from Hesse’s novel with that title, and there is also a theater in Chicago called The Steppenwolf Theater. Throughout Germany, many schools are named after Hesse. Hesse’s novel Siddhartha required reading in my high school English class, which is how I first discovered his work.
Some quotes that Hermann Hesse is remembered for include:
“I have always believed, and I still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.”
Learn what is to be taken seriously and laugh at the rest.
Wisdom cannot be imparted. Wisdom that a wise man attempts to impart always sounds like foolishness to someone else … Knowledge can be communicated, but not wisdom. One can find it, live it, do wonders through it, but one cannot communicate and teach it.
Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours.
I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teaching my blood whispers to me.”
“Some of us think holding on makes us strong but sometimes it is letting go
Carolyn and I have both seem evidence of Hesse’s influence in one another’s writings. On the back cover of my first book, Brainchild, Carolyn wrote. “Brown is the Hesse of our time.” Similarly, in the introduction to Carolyn’s book The Alchemy of Possibility, I wrote, “Following the tradition of William Blake and Hermann Hesse, The Alchemy of Possibility is a poetic blend of mysticism and imagination.”
I first started enjoying Anaïs Nin’s erotic stories when I was in my early twenties, and I was intrigued by the encounters with Henry Miller that she described in her diaries. (Henry Miller is another author that Carolyn and I both admire, and who will be the subject of a future profile.) When I first met Carolyn we discussed Nin’s writings, and I was most interested to learn that Carolyn had met and corresponded with Nin years earlier.
Born in France, Anaïs Nin lived from 1903 to 1977 in major European and American cities during culturally vibrant times, where she recorded her personal encounters with many brilliant and creative minds. Nin spent her early years growing up in Spain and Cuba and then lived in Paris, New York, and Los Angeles. Nin was known for her prolific and varied writings that included celebrated essays, novels, and short stories, as well as her seven published volumes of diaries, and revolutionary volumes of erotica.
When Nin was in her late twenties, she developed a strong interest in psychoanalysis and studied it in depth— with René Allendy and Otto Rank— both of whom also became lovers, as she recounts in her diaries. Nin famously kept detailed journals of her private thoughts and intimate relationships, from the age of eleven until the end of her life. Many of these diaries were published during her lifetime and remain in print to this day. The revealing diaries that she kept included descriptions of her personal relationships with many well-known literary figures and intellectuals, such as John Steinbeck and Gore Vidal, and have unique historical value.
Some of the quotes that Anaïs Nin is remembered for include:
We don’t see things as they are, we see them as we are.
And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
Life shrinks or expands in proportion to one’s courage.
Nin has been lauded by critics for being one of the first and finest writers of women’s erotica, and much of her passionate, taboo-breaking work was published posthumously amid renewed critical interest in her life and work that continues to this day.
Carolyn and I have celebrated numerous events at the Henry Miller Memorial Library in Big Sur over the years, and she has had many poetry readings there. Located on the Pacific Coast Highway, and nestled among the glorious redwood trees, this beautiful library documents the life of the late author and artist Henry Miller, and also serves as a performance venue and art gallery, where local artists can exhibit their work. It’s a magical place that is cherished by the local community and loved by the many international visitors passing through Big Sur, where Henry Miller is remembered as a legendary figure.
Henry Miller is another brilliant writer whom Carolyn and I have both admired. His semi-autobiographical novel Tropic of Cancer was a creative whirlwind that blew my mind apart when I first read it in my early twenties. Miller’s writing was a revolution; he created his own unique literary style, combining actual events from his life, with fantasies and exaggerations, as well as explicit sexuality, philosophical reflections, surrealist free association, Eastern philosophy, and mysticism.
Some of Miller’s most famous books, which were based upon his experiences in New York and Paris— such as Tropic of Cancer (first published in 1934), and Black Spring — were controversial when they were first published, largely due to their explicit sexual descriptions, and were officially banned in the United States until 1964. Tropic of Cancer was published in 1961 by the Grove Press in the U.S., challenging the ban. This led to obscenity trials, resulting in the Supreme Court’s official lifting of the ban in 1964. However, Miller’s banned books had been smuggled into the U.S. prior to 1961, and he built an underground reputation in the States before the ban was officially lifted.
Miller’s later works were less sexually explicit, more philosophical, and often critical of consumerism in America— such as The Air-Conditioned Nightmare, which was published in 1945, and also introduces elements of Hindu philosophy. Miller’s impressionist travelogue The Colossus of Maroussi, about his nine months in Greece in 1939, is frequently considered his best book. Big Sur and the Oranges of Hieronymus Bosch, another favorite, was published in 1957 and is a collection of wonderful stories about his time in Big Sur, and the extraordinary people that he met.
Some quotes that Henry Miller is remembered for include:
The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware.
The one thing we can never get enough of is love. And the one thing we never give enough of is love.
I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face-to-face with myself, with only the music of my heart for company.
Develop an interest in life as you see it; the people, things, literature, music – the world is so rich, simply throbbing with rich treasures, beautiful souls and interesting people. Forget yourself.
Miller was a powerhouse of creative energy. In addition to his revered literary abilities, Miller was also an accomplished artist who produced several thousand watercolor paintings and published several books of his artwork.
Unfortunately, I wasn’t able to interview Henry Miller, although I would have loved to; he died years before I started doing interviews.
Photo by Bettmann
British writer, philosopher, and social satirist Aldous Huxley’s work has had a profound impact on Carolyn and I, and our dear friends Oz Janiger and Laura Huxley told us wonderful stories about their precious time with him.
Aldous Leonard Huxley was born in 1894 in Surrey, England. He was born into an intellectually active family; his father was a schoolteacher and writer, and his mother founded an independent girls’ boarding and day school. Aldous was the grandson of the famous zoologist Thomas Huxley, who was an early advocate for Darwin’s theory of evolution, and his brothers Julian and Andrew became noteworthy biologists.
Aldous’ father, Leonard Huxley, had a well-equipped botanical laboratory where Aldous began his science education as a child. His brother Julian described him as someone who “frequently contemplated the strangeness of things.”
Aldous faced some serious challenges as a teenager. In 1908 his mother died, and in 1911 he contracted an eye disease that caused the surface of his eyes to become inflamed. This ocular inflammation left him almost blind for around three years, and then he partially recovered, with one eye just capable of light perception, and the other with about 5 percent of normal vision. Unable to pursue a career in medicine, as he had initially intended, due to his loss of sight, Huxley studied English literature at Oxford from 1913 to 1916.
After graduating from Oxford, Aldous taught French for a year at Eton College in Berkshire. One of his students at the time was a young fellow named Eric Blair, who also went on to become a well-known writer; he took the pen name George Orwell and wrote the classic dystopian novel 1984.
In 1916 Aldous edited the Oxford Poetry journal, and he completed his first (although unpublished) novel at the age of 17. In 1921 Aldous published his first novel, Crome Yellow, which, like the novels that followed— Antic Hay in 1923, Those Barren Leaves in 1925, and Point Counter Point in 1928, were social satires.
In 1919 Aldous married his first wife, Maria Nys, and they had one child together, Matthew (who Carolyn and I met at a conference during the 1990s). Aldous and Maria lived with Matthew in Italy during the 1920s, where Aldous would spend time with his friend, English novelist and poet D. H. Lawrence.
In 1932 Aldous published his most well-known work, Brave New World, a dystopian novel about a World State in the future, where citizens are environmentally engineered into an intelligence-based social hierarchy. The book has since become a classic of modern literature— it ranked number 5 on a list of the 100 best-selling English-language novels of the 20th Century — and carried a profound warning about the dangers of social control that seem especially relevant today.
In 1937 Aldous moved to Los Angeles with his wife Maria, where he worked as a screenplay writer for Hollywood films. Aldous received screen credit for Pride and Prejudice in 1940, and he worked on a number of other films, including Jane Eyre in 1944. In 1955 Aldous’ wife Maria died.
Aldous grew interested in philosophical mysticism and in 1945 he published The Perennial Philosophy, which explores the common ground between Eastern and Western mysticism. Our beloved friend Laura Huxley first met Aldous in 1948, when she was pursuing an idea for a film, and although the film was never produced, they stayed close and were married in 1956. Laura was married to Aldous for the last 7 years of his life.
In 1953 Canadian psychiatrist Humphry Osmond introduced Aldous to a psychedelic medicine, mescaline, and he had a powerful mystical and transcendent experience that became the basis for his revolutionary book The Doors of Perception. It’s a slim volume, just 63 pages, but it had a powerful cultural impact and is generally regarded as one of the most important books on psychedelic mysticism. The popular rock band The Doors took their name from the title of Huxley’s book.
In 1962 Aldous published his final novel, Island, a utopian fantasy about a shipwrecked journalist on a fictional island, which incorporates the insights that he gained from his mystical experiences, and provides a wonderful alternative future to his dystopian vision in Brave New World. During his lifetime, Aldous published more than 50 books, and a large selection of poetry, short stories, articles, philosophical treatises, and screenplays.
Aldous died in 1963, on the same day that John F. Kennedy was assassinated. On his deathbed, Aldous asked Laura to administer LSD to him and he died while undergoing a psychedelic experience, as Laura read to him from The Tibetan Book of the Dead. Laura wrote about this experience, and her final days with Aldous, in her much-loved book This Timeless Moment.
Laura shared a favorite story with me about Aldous. She told me about this one time that Aldous was at a meeting of professional scientists, and how he was asked what final words of advice he could offer after a lifetime of inquiry. His response was, “I’m very embarrassed because I worked for forty years. I studied everything around. I did experiments. I went to several countries. And all I can tell you is to be just a little kinder to each other.”
Some of the quotes that Aldous is known for include:
After silence, that which comes nearest to expressing the inexpressible is music.
I wanted to change the world. But I have found that the only thing one can be sure of changing is oneself.
Most human beings have an almost infinite capacity for taking things for granted.
The more powerful and original a mind, the more it will incline towards the religion of solitude.
That men do not learn very much from the lessons of history is the most important of all the lessons that history has to teach.
Consistency is contrary to nature, contrary to life. The only completely consistent people are the dead.
The secret of genius is to carry the spirit of the child into old age, which means never losing your enthusiasm.
There are things known and there are things unknown, and in between are the doors of perception.
I wish so much that I had had an opportunity to interview Aldous, but I was only 2 years old when he died.