Edvard Munch Profile

Edvard Munch Profile

Carolyn and I have appreciated the work of Norwegian artist Edvard Munch, whose painting The Scream has become one of Western art’s most iconic images. Munch is also known for his “soul paintings,” and he was knighted by Norwegian royalty.

Edvard Munch was born in Adalsbruk, Norway in 1863. His father was a doctor and medical officer, who Munch described as “obsessively religious.” His mother was artistically talented, and she encouraged her son to express himself creatively. Munch had an older sister and three younger siblings.

In 1864, Munch’s family moved to Oslo. In 1868, his mother, as well as his older sister, died of tuberculosis, which had a profound impact on him. After his mother’s death, his aunt helped to raise the family. Munch was often ill as a child and kept out of school. During this time, he would often spend his time drawing and painting in watercolors. Munch was tutored in history and literature by his father, who often entertained the family with stories by the American writer Edgar Allan Poe.

The combination of an oppressive religious environment, his poor health, and vivid mystery stories by Poe, worked together to instill nightmares and macabre visions in young Munch’s mind. One of his younger sisters was diagnosed with mental illness at an early age and committed to a mental asylum. There was so much darkness in Munch’s early life that he often expressed the fear that he was going insane.

Munch’s earliest drawings and watercolors depicted the interior of his home and medicine bottles, but he soon began painting some landscapes. By the time Munch was a teenager, art became his primary interest. In 1876, Munch had his first exposure to other artists at the Norwegian Landscape School, where he began to paint in oils and tried to copy the paintings that he was exposed to.

In 1879, Munch enrolled in a technical college, where he studied engineering and excelled in physics, chemistry, and mathematics. He also learned scaled and perspective drawing techniques. Although he did well in college, he left school after just a year, with the determination to become a painter. Munch’s father was disappointed in his son’s decision, as he viewed art as an “unholy trade.” However, Munch saw his art as his salvation, and wrote the following in his diary around this time: “In my art, I attempt to explain life and its meaning to myself.”

In 1881, Munch enrolled at the Royal School of Art and Design in Oslo, which was founded by a distant relative. In 1883, Munch took part in his first public exhibition, and he became friendly with other art students. Munch was inspired by the art movement of Impressionism, which is characterized by small but visible brushstrokes that emphasize the depiction of light in its changing qualities. He was also influenced by Naturalism, which, in contrast, attempts to represent subject matter realistically, and he later became associated with the Symbolist Movement, which sought to depict ideas and emotions hidden behind physical reality.

Munch’s early work consisted largely of self-portraits and nudes. Sadly, all but one of his nude paintings from this period survive, as the others were destroyed by his father, who then refused to give his son any further money for art supplies. In 1886, Munch concluded that Impressionism was too superficial, and he broke off into new experimentation with what he called “soul painting.” This approach to his art served as a means of exploring and expressing the innermost feelings, thoughts, and experiences of the human psyche.

Munch believed that art should transcend the visual representation of the external world and delve into the subjective experience of the individual. “Soul painting” was not just a technique but a philosophy for Munch. It was about revealing the internal struggles and deeper realities of human existence, “making visible what was invisible to the eye.” Through “soul painting,” Munch aimed to capture the anguish, loneliness, love, and despair that he felt and perceived in others. His “soul paintings” were characterized by their evocative use of color, dramatic compositions, and often unsettling subjects that reflect complex emotional states.

His first painting of this type was The Sick Child, which was based on his sister’s death. This painting evolved into six paintings with that title, which record the moment before the passing of his older sister. These six paintings were created over more than forty years, between 1885 through 1926. They all depict variant images of the same scene; his sister lying ill in bed with his aunt kneeling beside her.

In 1889, Munch moved to Paris, and one of his paintings was shown at the Paris Exposition that year. He spent his time at exhibitions, galleries, and museums. Later that year his father died, and Munch returned to Oslo. While he was there, he arranged for a large loan from a wealthy Norwegian art collector and assumed financial responsibility for his family from then on. Munch’s paintings during this time were largely of tavern scenes and bright cityscapes, and he experimented with different painting styles. Around this time, his work was shown at exhibitions in Oslo and also in Berlin. In 1892, he moved to Berlin, where he became involved with an international circle of writers and artists, and he stayed there for four years.

In 1893, Munch created the first version of his most well-known painting The Scream. This is Munch’s most famous work and one of the most recognizable paintings in all art history. It has been widely interpreted as representing the universal anxiety of modern man. Painted with broad bands of garish color and simplified forms, it reduces the agonized figure to a garbed skull in the throes of an emotional crisis.

There are several versions of this famous painting: two pastels, two oil paintings, and a lithograph. Pastel versions and the lithograph version were created in 1895. The second oil painting was completed in 1910. The original inspiration for this painting occurred while Munch had been out for a walk at sunset when suddenly the setting sun’s light turned the clouds “a blood red,” and he sensed an “infinite scream passing through nature.”

In 1908, Munch’s anxiety, which was compounded by excessive drinking, became more acute, and he began to suffer from hallucinations and feelings of persecution. This led to an eight-month hospital stay, where he underwent psychotherapy that stabilized his mind, and when he returned home his artwork was transformed. It became more colorful and less pessimistic. There was also more interest in his work after this dark night of the soul, and museums began to purchase his paintings. He was made a Knight of the Royal St. Olav — a Norwegian Order of Chivalry— “for services in art.” In 1912, he had his first American exhibit in New York.

Munch stopped drinking, and he produced portraits of friends and patrons. He also created landscapes and scenes of people at work and play, using a new optimistic style— broad, loose brushstrokes of vibrant color with frequent use of white space. With more income Munch was able to purchase several properties, giving him new vistas for his art, and he was finally able to provide for his family.

Munch spent the last two decades of his life largely in solitude at his estate in Oslo. Many of his late paintings celebrate farm life, including several in which his horse served as a model. Munch died in 1944, at the age of 80. After Munch died, many of his works were bequeathed to the city of Oslo, which built the Munch Museum. The museum houses the largest collection of his work in the world and holds around 1,100 paintings, 4,500 drawings, and 18,000 prints.

In 1974, a biographical film was made about Munch’s life called Edvard Munch. In 1994, the 1893 version of The Scream was stolen from the National Gallery in Oslo but was later recovered. Then in 2004, the 1910 version of the painting was stolen from the Munch Museum in Oslo, and it was recovered in 2006 with some damage. In 2012, the 1895 pastel version of  The Scream sold for $119,922,500, and that is the only version of the painting not held by a Norwegian museum.

Some of the quotes that Edvard Munch is known for include:

From my rotting body, flowers shall grow, and I am in them, and that is eternity.

Nature is not only all that is visible to the eye… it also includes the inner pictures of the soul.

I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.

The camera will never compete with the brush and palette until such time as photography can be taken to Heaven or Hell.

My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of myself and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings.

I felt as if there were invisible threads connecting us— I felt the invisible strands of her hair still winding around me— and thus as she disappeared completely beyond the sea— I still felt it, felt the pain where my heart was bleeding— because the threads could not be severed.

Your face encompasses the beauty of the whole earth. Your lips, as red as ripening fruit, gently part as if in pain. It is the smile of a corpse. Now the hand of death touches life. The chain is forged that links the thousand families that are dead to the thousand generations to come.

by David Jay Brown

Share Story:
Oscar Wilde Profile

Oscar Wilde Profile

Carolyn and I have appreciated the work of novelist, poet, and playwright Oscar Wilde, who was one of the most popular playwrights in London during the early 1890s and became the target of a criminal prosecution involving his homosexuality. Wilde is most well-known for his novel The Picture of Dorian Gray and for his plays Lady Windermere’s Fan and The Importance of Being Ernest.

Oscar Wilde was born in Dublin, Ireland in 1854. He was the second of three children. Wilde‘s mother was a poet and a supporter of the Irish nationalist movement. His father was Ireland’s leading ear and eye surgeon. He was also a renowned philanthropist, who was knighted for his service as a health adviser for the nation and also wrote books about Irish archeology and peasant folklore.

Wilde was educated at home, until the age of nine, by a French nursemaid and German governess who taught him their languages. In 1864, Wilde entered the Portora Royal School in Northern Ireland, where he studied for seven years, and was regarded as a prodigy for his ability to speed read. Wilde was able to read two pages simultaneously and could consume a three-volume book in 30 minutes.

In 1871, Wilde won a scholarship to attend Trinity College in Dublin, where he studied literature and the classics for three years. During this time Wilde established himself as an outstanding student. He was first in his class in his freshman year, and he began publishing poems in magazines.

During Wilde’s second year, he was elected as one of the Scholars of Trinity College, which was described as “the most prestigious undergraduate award in the country.” In his final year, he won the university’s highest academic award, the Berkely Gold Medal in Greek. Wilde was then awarded a scholarship to Magdalen College in Oxford, where he continued his studies from 1874 to 1878.

At Magdalen College Wilde wore his hair long, and became a Freemason. He also developed an interest in Catholicism, and he became widely known for his role in the Decadent Movement. The Decadent Movement was an artistic and literary trend that was characterized by a belief in the superiority of fantasy and aesthetic hedonism over logic and the natural world.

In 1878, Wilde won the Newdigate Prize from the University of Oxford for his poem Ravenna, which was about his time in Oxford. That same year he graduated with a degree in the classics from Magdalen College and returned to Dublin, where he regularly attended theater performances.

In 1880, Wilde completed his first play, Vera; or The Nihilists, which is a tragedy set in Russia, and loosely based on the life of writer and social activist Vera Zasulich. A year later arrangements were made for it to be performed in London, but the production was canceled, due to political reasons. The first performance was in 1883 in New York, although it wasn’t a success and folded after just a week.

In 1881, Wilde published a collection of his poetry titled Poems, which sold out the first print run of 750 copies, although it wasn’t generally well received by critics, and the Oxford Union condemned the book for alleged plagiarism. Nonetheless, it had further printings, and Wilde presented many copies of the book to the dignitaries and writers who received him during his later lecture tours.

In 1883, Wilde visited Paris, where he wrote a five-act tragedy titled The Duchess of Padua, which was turned down by the actress it was written for and abandoned until 1891 when it was performed on Broadway in New York, but only ran for three weeks.

In 1890, Wilde published his only novel, The Picture of Dorian Gray, a philosophical story about someone who sells his soul in exchange for lasting youth, so that a portrait of him ages and fades rather than his physical appearance. The book was controversial when it was first published. Many critics felt that it was not only poorly written but “vulgar” and had a “superficial view of beauty,” although today it is largely considered to be a seminal work in literature and a timeless classic.

In 1891, Wilde finished his drama Salome but was met with a refusal for it to be performed in England at the time, due to a prohibition on the portrayal of Biblical subjects on the English stage. However, Wilde produced a sequence of four society comedies in the early 1890s, which made him one of the most successful playwrights in London and defined his legacy.

In 1892, Wilde completed a social satire titled Lady Windermere’s Fan, which is about a woman who suspects that her husband is having an affair, and it ran for 197 performances that year. In 1893, this was followed by A Woman of No Importance, which satirizes English upper-class society and ran for 113 performances. In 1895, An Ideal Husband was released, which revolves around blackmail and political corruption, and it ran for 124 performances.

That same year, The Importance of Being Ernest was released, which became one of his most celebrated works. This play was an exaggerated comedy about someone who maintains a fictitious persona to escape burdensome social obligations. The successful opening night marked the climax of Wilde’s career, the height of his fame and success, but also heralded his downfall. The Marquees of Queensberry, whose gay son Lord Alfred Douglas was Wilde’s lover, planned to present the writer with a bouquet of rotten vegetables to disrupt the show. However, Wilde was tipped off about his plans, and Queensberry was refused admission to the theater.

This angered Queensberry, who publicly accused Wilde of illegal homosexual acts. This allegation got Queensberry arrested for criminal libel, a charge with a possible sentence of two years in prison. However, Queensberry was able to avoid conviction for this if he could demonstrate that his accusation was true, so he hired private detectives to find evidence of Wilde’s gay liaisons.

Wilde’s friends warned him that this was a serious situation and that he should flee to France, but he didn’t heed their advice. When the case went to trial, Wilde’s private life, and his associations with male prostitutes in brothels, became public knowledge and began to appear in the press. Queensberry was acquitted after the trial, and Wilde had incurred considerable expenses in his defense, which left him bankrupt.

However, the worst was yet to come. After Wilde left the court, a warrant for his arrest was issued for the charges of “sodomy” and “gross indecency,” and soon thereafter he was arrested. Wilde was sentenced to two years imprisonment with hard labor, and his notoriety caused his play The Importance of Being Ernest to be closed after 86 performances.

In 1897, Wilde was released from prison, bankrupt and embittered. He moved to France and never returned to the United Kingdom again. The following year Wilde wrote his poem, The Ballad of Reading Gaol, which was his last published work, and is an eloquent plea for the reform of prison conditions.

Wilde died in 1900 in Paris, at the age of 46, of acute meningitis brought on by an ear infection. In his semiconscious final moments, Wilde was received into the Roman Catholic Church, which he had admired since his time in college. He is buried in the Pere Lachaise Cemetery, the largest cemetery in Paris. Wilde wrote a total of nine plays and 43 poems during his lifetime.

In 1995, Wilde was commemorated with a stained-glass window at Poet’s Corner in Westminster Abbey, London. In 2014, Wilde was one of the inaugural honorees in the Rainbow Honor Walk, a walk of fame in San Francisco’s Castro neighborhood noting LGBTQ people who have “made significant contributions in their fields.” In 2017, Wilde was among around 50,000 men who were pardoned for homosexual acts that were no longer considered criminal offenses in England.

Some of the quotes that Oscar Wilde is known for include:

Be yourself; everyone else is already taken.

To live is the rarest thing in the world. Most people exist, that is all.

I am so clever that sometimes I don’t understand a single word of what I am saying.

We are all in the gutter, but some of us are looking at the stars.

Never love anyone who treats you like you’re ordinary.

Most people are other people. Their thoughts are someone else’s opinions, their lives a mimicry, their passions a quotation.

You don’t love someone for their looks, or their clothes, or for their fancy car, but because they sing a song only you can hear.

I never travel without my diary. One should always have something sensational to read in the train.

by David Jay Brown

Share Story:
Dante Alighieri Profile

Dante Alighieri Profile

Carolyn and I have appreciated the work of Italian poet, writer, and philosopher Dante Alighieri, who is best known for his epic work The Divine Comedy, which is widely considered one of the most important poems of the Middle Ages, and the greatest literary work in the Italian language. Dante was instrumental in establishing the literature of Italy, and he is considered to be one of the Western world’s greatest literary icons.

Dante Alighieri was born in the Republic of Florence, in what is now Italy, around 1265, although the exact year of his birth isn’t known. Dante’s family descended from the ancient Romans. His mother died when he was nine years old, and his father remarried a woman who brought him a half-brother and half-sister.

It is believed that Dante was educated at home, or in a chapter school attached to a church or monastery in Florence. He studied Tuscan poetry, and he admired the compositions of the Bolognese poet Guido Guinizelli. Dante also studied the poetry of the French troubadours and Latin writers of antiquity.

At the age of nine, Dante met a girl one year younger than himself named Beatrice Portinari, whom he claimed to have fallen in love with “at first sight.” At the age of twelve, Dante was promised marriage to someone else, Gemma Donati, as was common during this era. Years after his marriage, he met Beatrice again and wrote several sonnets for her, but he never mentioned his wife in any of his poems. Dante fathered three children with Gemma.

Dante’s interactions with Beatrice were an example of what was referred to as “courtly love,” or the romantic relationship between two unmarried people during medieval times. In many of Dante’s poems, Beatrice is depicted as semi-divine, always watching over him, and providing spiritual instruction.

As a teenager, Dante dedicated himself to philosophical studies at religious schools, such as the Dominican School in Santa Maria Novella. At around the age of eighteen, Dante met four other Italian poets— Guido Cavalcanti, Lapo Gianni, Cino da Pistoia, and Brunetto Latini— and they influenced one another’s poetic styles.

In 1289, Dante fought in the Battle of Campaldino, a war between factions supporting the Pope and the Holy Roman Emperor in the Italian city-states of what is today Central and Northern Italy.

In 1295, Dante became a pharmacist and a politician. Although he never intended to practice as a pharmacist, he did this to develop a political career, as a law required nobles aspiring to public office to be enrolled in an occupation that allowed him admission into this elite guild. As a politician, he held various offices over some years in a city filled with much political unrest.

In 1302, Dante was accused of corruption and financial wrongdoing and was condemned to exile for two years and ordered to pay a large fine. Dante refused to pay the fine, as he did not believe that he was guilty and his assets in Florence were seized, so he was condemned to permanent exile. If he returned to Florence, he could have been burned at the stake. In 2008, almost seven centuries after his death, the city council of Florence passed a motion rescinding Dante’s sentence.

In 1306, Dante became the guest of the captain-general Moroello Malaspina in a historical region of Italy that was known as Lunigiana. After a year, he moved to another historical region of Italy known as Sarzana. Some scholars think that he later moved to another region known as Luca, and there are speculative claims that he visited Paris between 1308 and 1310.

During Dante’s exile, his interest in philosophy and literature deepened, as he was no longer busy with the day-to-day business of Florentine politics, and at some point, he conceived of The Divine Comedy. Although the date that he began his epic poem is uncertain, he worked on it throughout his life, and completed it around 1321, shortly before his death.

The Divine Comedy is a narrative poem, that depicts an imaginative vision of the afterlife. It is divided into three parts: Inferno, Purgatorio, and Paradiso, which vividly describe Dante’s personally guided tour of Hell, Purgatory, and Heaven by three wise guides— Virgil, Beatrice, and Saint Bernard— who represent human reason, divine revelation, and contemplative mysticism respectively. The poem represents the state of the soul after death, its journey toward God, and presents an image of divine justice meted out as due punishment or reward.

The poem is widely considered the pre-eminent work in Italian literature, and one of the greatest works in Western literature, although it was not always as well-regarded as it is today. Although recognized as a masterpiece in the centuries immediately following its publication, the work was largely ignored during the 1700s and early 1800s.

The Divine Comedy was rediscovered in the English-speaking world by artist and poet William Blake— who illustrated several passages of the epic poem in 1826— and the Romantic writers of the 19th century. Later authors such as T. S. Eliot, Samuel Beckett, Ezra Pound, C. S. Lewis, and James Joyce drew on it for inspiration. There have since been numerous references to Dante’s work in literature, music, and sculpture, and many visual artists have illustrated scenes from The Divine Comedy.

Dante’s final days were spent in Ravenna, in what is today Northern Italy, where he was invited to stay in the city by its prince in 1318. Dante died in 1321 at around the age of 56, after contracting malaria while returning from a diplomatic mission to the Republic of Venice. He was buried in Ravenna, at the Church of San Pier Maggiore, which is known today as the Basilica di San Francesco. In 1483, the Praetor of Venice erected a tomb for him.

Today Dante is described as the “father” of the Italian language, and in Italy, he is often referred to as il Sommo Poeta (the Supreme Poet). In recent years, there have been many references to The Divine Comedy in pop culture, such as in film, television, comics, and video games. Dante also had a huge influence on my own work; my first book, Brainchild, which Carolyn did the cover art for, was inspired by The Divine Comedy.

Some of the quotes that Dante Alighieri is known for include:

Nature is the art of God.

The path to paradise begins in hell.

Love, that moves the sun and the other stars.

Beauty awakens the soul to act.

Remember tonight… for it is the beginning of always

The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis.

There is no greater sorrow than to recall happiness in times of misery.

From a little spark may burst a mighty flame.

Heaven wheels above you, displaying to you her eternal glories, and still your eyes are on the ground.

The secret of getting things done is to act!

Follow your own star!

by David Jay Brown

Share Story:
Abraham Maslow Profile

Abraham Maslow Profile

Carolyn and I have appreciated the work of psychologist Abraham Maslow, who helped to establish the fields of Humanistic and Transpersonal Psychology. He is most well-known for his theory of the hierocracy of needs, and for developing the concepts of “peak experience” and “self-actualization.”

Abraham Harold Maslow was born in 1908 in Brooklyn, New York. His parents were first-generation Jewish immigrants from the Ukraine, who fled persecution in the early 1900s. Maslow’s parents were poor, and he was the oldest of seven children. He grew up in a multiethnic, working-class neighborhood, without much intellectual stimulation, although his parents valued education.

As a child, Maslow encountered numerous antisemitic gangs in his neighborhood who would tease him. They sometimes chased him and threw rocks at him. Maslow struggled to overcome these painful acts of racism and ethnic prejudice, but they made a deep impression on him.

There was also tension in Maslow’s early childhood home, as both his parents were described as “cold” and “insensitive.” He had trouble getting along with his mother, his father was a heavy drinker, and he grew up with few friends. Maslow spent much of his time alone in libraries, where he developed a love of reading books and learning. Maslow attended Boys High School, one of the top schools in Brooklyn, where he excelled. He was an officer in numerous academic clubs and he became the editor of the school’s Latin magazine.

In 1926, after finishing high school, Maslow attended the City College of New York. He began taking legal studies classes at night, in addition to his undergraduate courses but then stopped doing this. He then spent a year at Cornell University, before returning to and graduating from City College. Maslow then attended the University of Wisconsin’s graduate school, where he studied psychology. In 1928, Maslow married his first cousin, Bertha Goodman, and they had two sons together.

When Maslow entered the academic world of psychology, many psychologists were focusing their careers on finding ways to treat psychopathology or diseases of the mind. However, Maslow, and a small group of other psychologists, became interested in how healthy people excelled in creativity and other positive mental attributes. Maslow stressed the importance of focusing on the positive qualities in people, as opposed to treating them as a “bag of symptoms.”

From 1937 to 1951, Maslow served on the faculty of Brooklyn College. During this time, he began to question how psychologists had come to their conclusions, and he had his ideas on how to understand the human mind, which he developed as part of the new discipline of humanistic psychology, which he helped to establish.

Humanistic psychology is a psychological perspective that arose in response to Sigmund Freud’s psychoanalytic theory and B.F. Skinner’s behaviorism, when Maslow declared that there was a “third force” or “humanistic approach” in psychology. Some of the key elements of humanistic psychology are to “understand people as a whole greater than the sum of their parts,” to “acknowledge the relevance and significance of the full life history of an individual,” to “acknowledge the importance of intentionality in human existence,” and to “recognize the importance of an end goal of life for a healthy person.” Humanistic psychology also acknowledges spiritual aspiration as an integral part of the psyche.

The horrors of World War II inspired a vision of peace in Maslow, that led to his psychological studies of “self-actualization,” and this became the basis of his lifelong research and thinking about mental health and human potential. Maslow defined “self-actualization” as “achieving the fullest use of one’s talents and interests,” the need “to become everything that one is capable of becoming.”

In 1943, in a classic paper titled, A Theory of Human Motivation, published in the journal “Psychological Review,” Maslow developed his Hierarchy of Needs, a revolutionary theory of psychological health that is based on the idea that innate human needs have to be fulfilled in a certain sequential priority, that culminates in self-actualization through “peak experiences,” or “high points in life when people feel in harmony with themselves and their surroundings.”

Maslow placed these different needs on a pyramid, with seven ascending levels, ranging from “basic biological needs,” to “feelings of safety,” to “Love and belonging,” and “self-esteem,” up through to higher levels of “intellectual stimulation,” “aesthetic appreciation,” and eventually, at the top of the pyramid, “self-actualization.”

From 1951 to 1969, Maslow was a psychology professor at Brandeis University, in Waltham, Massachusetts. In 1962, Maslow published a collection of papers that focused on the positive qualities in people, which he developed into his classic 1968 book Toward a Psychology of Being. In 1963, Maslow was nominated to be the president of the Association for Humanistic Psychology, but he rejected the nomination because he felt that the organization should develop an intellectual movement without a leader.

During the latter part of the 1960s, along with Stanislav Grof, Michael Murphy, Viktor Frankl, and others, Maslow founded the school of transpersonal psychology, an area of psychology that seeks to go beyond humanistic psychology and integrate the spiritual and transcendent aspects of the human experience within the framework of modern psychology.

Maslow identified various mystical, ecstatic, or spiritual states as higher peak experiences that went beyond self-actualization into what he called “transcendence.” Maslow called these experiences “a fourth force in psychology,” which were named as aspects of transpersonal psychology. Transpersonal psychology was concerned with the “empirical, scientific study of, and responsible implementation of… mystical, ecstatic, and spiritual states.”

In 1969, Maslow, Grof, and others were among the initiators behind the publication of the premier issue of the Journal of Transpersonal Psychology, and Maslow became one of the first teachers at the Esalen Institute in Big Sur. Maslow also taught at the New School for Social Research and Columbia University, in New York City.

Maslow died in 1970 at the age of 62, from a heart attack while jogging, in Menlo Park, California. He is buried at the Mount Auburn Cemetery in Cambridge, Massachusetts. A Review of General Psychology survey published in 2002 ranked Maslow as the tenth most cited psychologist of the 20th Century, and his work continues to exert an influence today.

Some of the quotes that Abraham Maslow is known for include:

A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be.

To the man who only has a hammer, everything he encounters begins to look like a nail.

The great lesson is that the sacred is in the ordinary, that it is to be found in one’s daily life, in one’s neighbors, friends, and family, in one’s backyard.

Creativity is a characteristic given to all human beings at birth.

If you plan on being anything less than you are capable of being, you will probably be unhappy all the days of your life.

In any given moment we have two options: to step forward into growth or to step back into safety.

It seems that the necessary thing to do is not to fear mistakes, to plunge in, to do the best that one can, hoping to learn enough from blunders to correct them eventually.

The key question isn’t “What fosters creativity?” But why in God’s name isn’t everyone creative? Where was the human potential lost? How was it crippled? I think therefore a good question might not be why do people create? But why do people not create or innovate?

Self-actualized people…live more in the real world of nature than in the man-made mass of concepts, abstractions, expectations, beliefs and stereotypes that most people confuse with the world.

by David Jay Brown

Share Story:
Cosmo Sheldrake Interview

Cosmo Sheldrake Interview

Carolyn and I have appreciated the work of English musician, composer, and producer Cosmo Sheldrake, whose improvisational work blends music from various instruments with audio samples from natural environments. His multilayered, multi-instrumentalist compositions have received much notoriety. Cosmo is also the youngest son of British biologist Rupert Sheldrake and voice instructor Jill Purce, and the brother of mycologist Merlin Sheldrake, who I wrote previous profiles about.

Cosmo Sheldrake was born in 1989 in London, England. With a father and brother who are visionary scientists, and a mother who is a sound healer, Cosmo grew up in an extremely creative environment, where art, science, and spirituality were an integral part of his home life.

Cosmo started making music at a young age. He learned to play the piano at the age of four, and at the age of seven, Cosmo made the transition from classical music to blues. By his mid-teens, he was recording and producing his music. Cosmo said that the piano was “an unwieldy instrument” and you “can’t cart it around,” so instead, he taught himself several other instruments, which play a role in his music today.

Cosmo studied anthropology at the University of Sussex, although he said that it was the scope and diversity of music that was exciting for him. He stopped taking formal music lessons as a teenager and instead followed his own set of interests. In 2014, Cosmo began releasing music, when his debut single, The Moss was released. The song received good reviews, and that year, The London Telegraph described him as a “musical visionary.”

In 2017, Cosmo’s debut album, The Much Much How How and I was released. It was written under the influence of a diverse group of musicians— ranging from The Beatles and The Kinks to Moondog and Stravinsky— and was shaped by his study of anthropology, his longstanding interest in ethnomusicology, and a trip to Mardi Gras in New Orleans. 

Some of Cosmo’s other albums include Ear to Ear, and Let the World. His multilayered, whimsical, and imaginative music uses sound samples from different objects and animals from around the world. Although he sometimes performs his music alone, with a keyboard and a laptop, Cosmo now plays about 30 instruments, including jazz and classical piano, banjo, double bass, drums, didgeridoo, penny whistle, and sousaphone. He uses a digital loop station to make creative adjustments to his voice, and he is capable of Mongolian throat singing and Tibetan chanting. Cosmos’s music is really fun and upbeat, positive, feel-good sound therapy that always makes me happy when I listen to it.

Cosmo has provided music for film and theater, including the score for a series of Samuel Beckett plays at the Young Vic Theater in London. Sheldrake performs solo, and sometimes with several bands, including Johnny Flynn & the Sussex Wit and the Gentle Mystics. In 2019, his song Come Along was featured in an advertisement for Apple’s iPhone, and subsequently, this song charted at number 39 on the U.S. Digital Songs chart.

A reviewer in The Guardian describes Cosmo’s music as having “a whimsical kind of intelligence… and [his songs] talk about everything from the way moss grows on the north side of trees to what it’s like to be a fly— and the melodies… exude waggish mischief.”

Cosmo is also passionate about fermentation. He and his brother Merlin built a small fermentation lab, where they make various ciders, and have recently started producing their own uniquely fermented hot sauce under the label Sheldrake & Sheldrake.

I first met Cosmo when he was six years old, while I was staying at his home in London when working with his father on the book Dogs That Know When Their Owners are Coming Home, for which I did California-based research. Cosmo’s playful creativity was evident even then when I first spent time with him as a child.

Here is an excerpt from an interview with Cosmo Sheldrake by Richard Ainslie:

Ainslie: Is it a different musical headspace when you are freely improvising?

Sheldrake: Absolutely. That’s when I feel most alive, most present, most focused. It’s almost meditational. You have to say yes to anything that pops up. The second you say no, you’re done for. You have to absorb and incorporate everything, even if it’s a mistake. No is a resounding, clanging shut-down door and close windows feeling, and in that vulnerable improvising state it’s the last thing you want. In a compositional headspace, apart from anything else, I get racked by much more self-doubt because I have longer to think about things. Improvising there is no time to hang around. You say yes and move on. And I do miss that headspace because it’s the nearest you get to inspiration. Well out of your comfort zone where you find new ideas.

Ainslie: A lot of your music is inspired by nature, have you found any new ideas connecting with it deep in the countryside?

Sheldrake: Well, I’ve been completely immersed in birds. There’s a bird table right outside my window. When finishing “Wake Up Calls” [his latest album composed from birdsong], and being able to strap microphones into the hedge and listen as if I was in the hedge has connected me. This house I’m in now is off-grid, so I’ve noticed the seasons changing more, and it’s powered by a diesel generator. I have a battery-powered studio and solar panels, and there’s no central heating so every morning I have to chop wood, spending 30 percent of my energy just on keeping warm.

It’s healthy in some ways. So much of my time here has been taken up not with nature but with electricity. I say that, but also I have been enjoying the different rhythms of life, and thinking about where electricity and heat come from and how much we are using, constantly. I have to decide between working into the night or having power to work tomorrow, and where best to use the energy. Completely renegotiating my power relationship. But I’ve been incredibly grateful and very lucky to have this little cottage.

by David Jay Brown

Share Story:
John Steinbeck Profile

John Steinbeck Profile

Carolyn and I have appreciated the work of acclaimed author and local writer John Steinbeck, who won the Nobel Prize in Literature in 1962. Much of Steinbeck’s fiction is set in Central California, particularly in the Salinas Valley and Monterey Bay area, which is near where we live. Steinbeck’s works often explored themes of fate and injustice, especially among the poor and downtrodden.

John Ernst Steinbeck was born in 1902 in Salinas, California. His father served as Monterey County Treasurer, and his mother was a schoolteacher, who had a passion for reading and writing. Steinbeck grew up in a small, rural valley along the Pacific coast. Both the valley and coast would later serve as settings for some of his most well-known novels.

When he was growing up, Steinbeck spent his summers working on nearby ranches, such as the Post Ranch in Big Sur. In 1919, Steinbeck graduated from Salinas High School. He then enrolled at Stanford University, where he studied English literature, although he never finished his degree.

In 1925, Steinbeck traveled to New York City, where he took odd jobs and started writing fiction, although he failed to get anything published. In 1928, he returned to California and worked as a tour guide and caretaker at Lake Tahoe, where he met the woman who became his wife. Steinbeck continued writing, and in 1929, his first novel, Cup of Gold, was published. It is the story of a swashbuckling pirate, who ruled the Spanish Main with his vicious outlaw activity.

In 1930, Steinbeck married Carol Henning in Los Angeles. Steinbeck attempted to earn a living by manufacturing plaster mannequins with friends, but this didn’t turn out to be a successful business venture, and they ran out of money six months later. Steinbeck and Henning moved back to Pacific Grove, where they lived in a cottage owned by his father just outside of Monterey. Henning became the model for the character Mary Talbot in Steinbeck’s novel Cannery Row.

Steinbeck’s parents gave him free housing, paper for his manuscripts, and loans that allowed him to write without having to look for work. The couple lived on fish and crabs gathered from the sea, and fresh vegetables from their garden, but still their money ran out. Then they lived on welfare, and “on rare occasions” they stole bacon from the local market.

Around this time, Steinbeck wrote a mystery novel called Murder at Full Moon, about a dangerous werewolf that was on the loose. Publishers rejected this book, and it remains unpublished to this day, as Steinbeck’s estate doesn’t want it released, despite pleas from many people who are eager to read it.

Between 1930 and 1933, Steinbeck produced three shorter works, The Pastures of Heaven, The Red Pony, and To a God Unknown. During this time, Steinbeck was a relatively obscure writer with little success, although he “never doubted that he would achieve greatness.”

During this period, Steinbeck met marine biologist Ed Ricketts, who became a close friend and mentor. Ricketts operated a biology lab on the coast of Monterey, selling biological samples of marine animals, and he became a proponent of ecological thinking. They shared a love of music and art, and the two had a deep bond. When Steinbeck became emotionally upset, Ricketts sometimes played music for him.

In 1935, Steinbeck published his novel Tortilla Flat, which was his first critical success, and won the California Commonwealth Club’s Gold Medal. The novel portrays the adventures of a group of poor, yet loyal friends, living in the Monterey region during the post-World War I era. The story focuses on their simple lives, camaraderie, and escapades, which were creatively expressed within the mythic structure of an Arthurian legend.

Next, Steinbeck began writing what was to become one of his most widely acclaimed novels, Of Mice and Men, which was published in 1937. This is a drama about the dreams of two migrant agricultural laborers in California, and it was adapted into a Hollywood film two years later, starring Lon Chaney Jr.

In 1939, Steinbeck followed this wave of success with the publication of his novel The Grapes of Wrath, which is often considered to be his greatest work. Set during the Great Depression, it’s the story of a poor family of farm workers who leave Oklahoma for California. It was controversial at the time that it was published, and from 1939 to 1941, it was banned in certain California public schools, because the Kern County Board of Supervisors claimed that it was obscene and misrepresented conditions in the county.

However, The Grapes of Wrath won both the National Book Award and the Pulitzer Prize, as well as being prominently cited when Steinbeck was awarded the Nobel Prize in Literature in 1962. In 1940, The Grapes of Wrath was adapted as a Hollywood film, directed by John Ford, and starring Henry Fonda, who was nominated for the Best Actor Academy Award for the role. In 1942, Steinbeck’s novel Tortilla Flat was also adapted into a movie, starring Spencer Tracy. With some of the proceeds from this, Steinbeck built a summer ranch home in Los Gatos, California.

In 1945, Steinbeck’s novel Cannery Row was published. The novel, set in Monterey, also took place during the Great Depression. The story revolves around people living along a street with sardine canneries known as Cannery Row” The actual location that Steinbeck was writing about was named Ocean View Avenue at the time that he wrote the novel, but it was later renamed Cannery Row in honor of the book. A film version of Cannery Row was released in 1982, and a stage version in 1995.

During the last years of his life, Steinbeck remained an active and prolific writer, despite battling health issues. He continued to produce several notable works, including Travels with Charley: In Search of America, which chronicled his cross-country road trip with his poodle, Charley. Steinbeck also wrote America and Americans, a collection of essays that explored various aspects of American society and culture.

Steinbeck was also involved in political activism, speaking out against social injustices, and advocating for workers’ rights. Despite his declining health, Steinbeck’s literary contributions and commitment to addressing important societal issues continued until his passing. Steinbeck died in 1968, in New York City, at the age of 66.

Steinbeck’s boyhood home in Salinas is preserved and is open for tours. Nearby in Salinas is the National Steinbeck Center, a museum and memorial dedicated to Steinbeck, which was founded in 1983. In 2007, California Governor Arnold Schwarzenegger inducted Steinbeck into the California Hall of Fame. Today, when driving along U.S. Route 101 through Salinas, a large green sign announces that one is driving along the John Steinbeck Highway.

Some of the quotes that John Steinbeck is known for include:

I wonder how many people I’ve looked at all my life and never seen. 

It’s so much darker when a light goes out than it would have been if it had never shone. 

What good is the warmth of summer, without the cold of winter to give it sweetness? 

A sad soul can kill you quicker, far quicker, than a germ. 

You’ve seen the sun flatten and take strange shapes just before it sinks in the ocean. Do you have to tell yourself every time that it’s an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it? 

I was born lost and take no pleasure in being found. 

To be alive at all is to have scars. 

When two people meet, each one is changed by the other, so you’ve got two new people.

by David Jay Brown

Share Story:
Loading...