Cosmo Sheldrake Interview

Cosmo Sheldrake Interview

Carolyn and I have appreciated the work of English musician, composer, and producer Cosmo Sheldrake, whose improvisational work blends music from various instruments with audio samples from natural environments. His multilayered, multi-instrumentalist compositions have received much notoriety. Cosmo is also the youngest son of British biologist Rupert Sheldrake and voice instructor Jill Purce, and the brother of mycologist Merlin Sheldrake, who I wrote previous profiles about.

Cosmo Sheldrake was born in 1989 in London, England. With a father and brother who are visionary scientists, and a mother who is a sound healer, Cosmo grew up in an extremely creative environment, where art, science, and spirituality were an integral part of his home life.

Cosmo started making music at a young age. He learned to play the piano at the age of four, and at the age of seven, Cosmo made the transition from classical music to blues. By his mid-teens, he was recording and producing his music. Cosmo said that the piano was “an unwieldy instrument” and you “can’t cart it around,” so instead, he taught himself several other instruments, which play a role in his music today.

Cosmo studied anthropology at the University of Sussex, although he said that it was the scope and diversity of music that was exciting for him. He stopped taking formal music lessons as a teenager and instead followed his own set of interests. In 2014, Cosmo began releasing music, when his debut single, The Moss was released. The song received good reviews, and that year, The London Telegraph described him as a “musical visionary.”

In 2017, Cosmo’s debut album, The Much Much How How and I was released. It was written under the influence of a diverse group of musicians— ranging from The Beatles and The Kinks to Moondog and Stravinsky— and was shaped by his study of anthropology, his longstanding interest in ethnomusicology, and a trip to Mardi Gras in New Orleans. 

Some of Cosmo’s other albums include Ear to Ear, and Let the World. His multilayered, whimsical, and imaginative music uses sound samples from different objects and animals from around the world. Although he sometimes performs his music alone, with a keyboard and a laptop, Cosmo now plays about 30 instruments, including jazz and classical piano, banjo, double bass, drums, didgeridoo, penny whistle, and sousaphone. He uses a digital loop station to make creative adjustments to his voice, and he is capable of Mongolian throat singing and Tibetan chanting. Cosmos’s music is really fun and upbeat, positive, feel-good sound therapy that always makes me happy when I listen to it.

Cosmo has provided music for film and theater, including the score for a series of Samuel Beckett plays at the Young Vic Theater in London. Sheldrake performs solo, and sometimes with several bands, including Johnny Flynn & the Sussex Wit and the Gentle Mystics. In 2019, his song Come Along was featured in an advertisement for Apple’s iPhone, and subsequently, this song charted at number 39 on the U.S. Digital Songs chart.

A reviewer in The Guardian describes Cosmo’s music as having “a whimsical kind of intelligence… and [his songs] talk about everything from the way moss grows on the north side of trees to what it’s like to be a fly— and the melodies… exude waggish mischief.”

Cosmo is also passionate about fermentation. He and his brother Merlin built a small fermentation lab, where they make various ciders, and have recently started producing their own uniquely fermented hot sauce under the label Sheldrake & Sheldrake.

I first met Cosmo when he was six years old, while I was staying at his home in London when working with his father on the book Dogs That Know When Their Owners are Coming Home, for which I did California-based research. Cosmo’s playful creativity was evident even then when I first spent time with him as a child.

Here is an excerpt from an interview with Cosmo Sheldrake by Richard Ainslie:

Ainslie: Is it a different musical headspace when you are freely improvising?

Sheldrake: Absolutely. That’s when I feel most alive, most present, most focused. It’s almost meditational. You have to say yes to anything that pops up. The second you say no, you’re done for. You have to absorb and incorporate everything, even if it’s a mistake. No is a resounding, clanging shut-down door and close windows feeling, and in that vulnerable improvising state it’s the last thing you want. In a compositional headspace, apart from anything else, I get racked by much more self-doubt because I have longer to think about things. Improvising there is no time to hang around. You say yes and move on. And I do miss that headspace because it’s the nearest you get to inspiration. Well out of your comfort zone where you find new ideas.

Ainslie: A lot of your music is inspired by nature, have you found any new ideas connecting with it deep in the countryside?

Sheldrake: Well, I’ve been completely immersed in birds. There’s a bird table right outside my window. When finishing “Wake Up Calls” [his latest album composed from birdsong], and being able to strap microphones into the hedge and listen as if I was in the hedge has connected me. This house I’m in now is off-grid, so I’ve noticed the seasons changing more, and it’s powered by a diesel generator. I have a battery-powered studio and solar panels, and there’s no central heating so every morning I have to chop wood, spending 30 percent of my energy just on keeping warm.

It’s healthy in some ways. So much of my time here has been taken up not with nature but with electricity. I say that, but also I have been enjoying the different rhythms of life, and thinking about where electricity and heat come from and how much we are using, constantly. I have to decide between working into the night or having power to work tomorrow, and where best to use the energy. Completely renegotiating my power relationship. But I’ve been incredibly grateful and very lucky to have this little cottage.

by David Jay Brown

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Wolfgang Amadeus Mozart Profile

Wolfgang Amadeus Mozart Profile

Carolyn and I have long enjoyed the music of Mozart, who is regarded as one of the greatest classical composers in the history of Western music.

Wolfgang Amadeus Mozart was born in Salzburg in 1756. At the time, Salzburg was a part of the Holy Roman Empire, and is in Austria today. Mozart was the youngest of seven children, and five of his siblings died in infancy. Mozart’s father was a teacher, a minor composer, and a violinist, who was the author of a successful violin textbook.

Mozart was a child prodigy, and he began composing music around the age of four or five, although there is some scholarly debate about how old Mozart was when he composed his first musical compositions.

In 1762 Mozart began traveling around Europe with his family, and he and his sister performed at exhibitions for the royal courts in Munich, Vienna, Prague, Paris, London, and Amsterdam. During this time, Mozart met many other musicians, and he became acquainted with the works of other composers.

In 1794 Mozart met the German composer Johann Christian Bach in London, who had a significant influence on him. When Mozart was eight years old he wrote his first symphony. The journeys around Europe were challenging for Mozart and his family, as conditions were primitive, and they had to wait for invitations and reimbursements from the nobility. The family also endured near-fatal illnesses while traveling far from home.

In 1770, while visiting Milan, Mozart wrote an opera which was performed with success, and this led to further opera commissions. Mozart’s father had hoped that their visits to Milan for the opera performances would result in professional employment for his son, and the ruling archduke considered employing him, but the empress was reluctant to hire “useless people” and so this didn’t happen.

In 1773 Mozart was employed as a court musician by the prince of Salzburg, in his hometown. Mozart had a lot of friends in Salzburg, and he had the opportunity to work in many different musical genres, including symphonies, string quartets, sonatas, and operas. In 1775 Mozart became particularly enthusiastic about developing violin concertos and he produced a series of five of them with increasing musical sophistication.

Despite Mozart’s artistic successes at this time, he grew depressed in Salzburg, partially due to a low salary, and he continued to look for a position elsewhere. Mozart longed to compose more operas, and he only had rare opportunities in Salzburg to do so. Then, in 1775, the court theatre in Salzburg was closed, and Mozart’s situation worsened. He travelled with his father to Vienna and Munich, and although there was popular success of his opera at the time, neither visit brought Mozart stable employment.

In 1777 Mozart resigned from his position in Salzburg, and he ventured out once again in search of better employment, visiting Paris, Munich, Mannheim, and elsewhere. In Mannheim he became acquainted with members of the “famous orchestra,” and although there were prospects of employment, no employment was found. Mozart fell into debt around this time and began pawning his valuables. In 1778 Mozart’s mother became ill and died. There were delays in calling a doctor for his mother due to a lack of money, which may have contributed to her death.

In 1779 Mozart returned to Salzburg, and he took up a new appointment but remained depressed about being there. In 1781 Mozart’s Italian language opera “Idomeneo” premiered with considerable success and Mozart was summoned to Vienna by his employer, Archbishop Colloredo of Salzburg, who viewed Mozart as simply his “musical servant” that he wanted to have on hand.

Colloredo tried to prevent Mozart from performing outside his establishment in Salzburg, and this caused Mozart to become angry about losing money. This disagreement with Colloredo became increasingly difficult for Mozart, partially because his father sided with Colloredo. Mozart attempted to resign from this position in Salzburg and was refused at first— but then finally granted. Mozart was dismissed in a “grossly insulting way,” with a literal “kick in the arse,” which was administered by the archbishop’s steward.

Mozart decided to move to Vienna, where he worked as a freelance performer, as pianist, and composer, and this new career began well. Mozart established himself as “the finest keyboard player in Vienna,” and here he prospered as a composer.

From 1782 to 1785 Mozart performed popular concerts with himself as a soloist, performing three or four new piano concertos each season, and he became more prosperous. In 1784, Mozart joined a secret fraternal organization with moral and metaphysical ideals called the Freemasons, which dates back to the 13th century and exists to this day. Some of Mozart’s most popular works, such as The Magic Flute and Dir Seele des Weltalls, were inspired by Masonic values.

In 1787, Mozart obtained steady employment under the aristocratic patronage of Holy Roman Emperor Joseph II in Vienna, who appointed him as his “chamber composer.” This was just a part-time appointment, requiring Mozart to compose dances for the annual balls, and the income was modest, but it helped Mozart when more difficult times arrived in the following years.

Between 1788 to 1790, Mozart began to appear less frequently in public concerts, his income shrunk by more than half, and he had to borrow money. Mozart had to write “pleading” letters to a friend for loans to get by. Mozart suffered from depression and his musical output slowed down.

In 1791 Mozart fell ill while in Prague for a premiere of an opera that he had composed. He continued his professional functions for a time, but his health deteriorated until he became bedridden. Mozart died that year, at the age of 35, and was buried in a “common grave,” which was subject to excavation after ten years, and the location of his burial is unknown to this day. The cause of Mozart’s death is also a mystery, and there has been much speculation as to the illness, with more than a hundred different suggestions by scholars.

Mozart was extremely prolific during his lifetime, composing more than 600 works, in a multitude of different genres — symphonic, chamber, operatic, and choral music— and today he is regarded as one of the greatest and most influential composers that ever lived.

In 1979 a partially fictional stage play by Peter Shaffer about the life of Mozart called Amadeus was performed on Broadway. The play was made into a popular Hollywood film in 1984, and Mozart’s music is heard extensively in the soundtrack. The film received widespread acclaim and was a box office hit, grossing over $90 million. It is considered to be one of the greatest films of all time, receiving eight Academy Awards, including the Academy Award for Best Picture.

Some of the quotes that Mozart is known for include:

Silence is very important. The silence between the notes is as important as the notes themselves. … The music is not in the notes, but in the silence between.

I choose such notes that love one another.

Neither a lofty degree of intelligence, nor imagination, nor both together go to the making of genius. Love, love, love, that is the soul of genius.

To talk well and eloquently is a very great art, but that an equally great one is to know the right moment to stop.

Love guards the heart from the abyss.

Patience and tranquility of mind contribute more to cure our distempers as the whole art of medicine.

I cannot write in verse, for I am no poet. I cannot arrange the parts of speech with such art as to produce effects of light and shade, for I am no painter. Even by signs and gestures I cannot express my thoughts and feelings, for I am no dancer. But I can do so by means of sounds, for I am a musician.

by David Jay Brown

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John Lennon Profile

John Lennon Profile

Carolyn and I both really enjoy John Lennon’s powerful and magical songs and have been inspired by his life.

Born in Liverpool, England in 1940, Lennon achieved international fame as a singer, songwriter, musician, visual artist, and peace activist. He is best known as the founder, co-songwriter, co-lead vocalist, and rhythm guitarist of The Beatles, which is regarded as the most influential rock band of all time, and Lennon’s songwriting partnership with Paul McCartney remains the most successful in music history.

Lennon had a difficult childhood. His mom died when he was a teenager, he failed his pre-university examination in school, and he was known for his rebellious nature. However, he was accepted into the Liverpool College of Art after his aunt and headmaster intervened on his behalf. At the age of 15, Lennon formed a folk music band called The Quarrymen with several school friends. At The Quarrymen’s legendary second performance, Lennon met fellow musician Paul McCartney, who had also lost his mother as a boy, and asked him to join the band. The Quarrymen evolved into The Beatles in 1960, with George Harrison and Ringo Starr.

Lennon’s top-of-the-chart songs about peace and love were adopted as anthems by the anti-war movement and the counterculture of the 1960s. In 1969, to many people’s dismay, Lennon quit the Beatles to embark on a solo career. That same year he started the Plastic Ono Band with his second wife, multimedia artist Yoko Ono, and they collaborated on many songs over the years. Lennon composed the song Come Together, as a campaign song when Timothy Leary announced that he was running for governor of California in 1969, and Lennon and Ono held nonviolent protests against the Vietnam War, called “the Bed-ins for Peace.”

Lennon was also an author and visual artist. In the mid-1960s, he wrote In His Own Write and A Spaniard in the Works, two collections of creative writings and line drawings. A beautiful selection of his delightful drawings, which have a Zen-like quality in their simplicity and elegance, can be found in the book, John Lennon: The Collected Artwork.

Lennon’s songs tap into something deep within the human spirit and have broad appeal across generational and cultural boundaries. He recorded 12 albums with The Beatles, and eight albums afterward. As a performer, writer, and co-writer, Lennon had 25 number-one singles on the Billboard Hot 100 chart, and he received numerous awards, including the 1981 Grammy Award for Album of the Year, for his best-selling album Double Fantasy.

Lennon died tragically in 1980 when he was shot outside his Manhattan home, but his music and spirit live on. In 1997 he was inducted into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame twice, as a member of the Beatles in 1988, and as a solo artist in 1994. A year after Lennon died, his song Imagine hit number one in the U.K., and his song Happy Xmas peaked at number two in the charts.

Some quotes that John Lennon is remembered for include:

Count your age by friends, not years. Count your life by smiles, not tears.

There are two basic motivating forces: fear and love. When we are afraid, we pull back from life. When we are in love, we open to all that life has to offer with passion, excitement, and acceptance. We need to learn to love ourselves first, in all our glory and our imperfections. If we cannot love ourselves, we cannot fully open to our ability to love others or our potential to create. Evolution and all hopes for a better world rest in the fearlessness and open-hearted vision of people who embrace life.

I believe in everything until it’s disproved. So I believe in fairies, the myths, dragons. It all exists, even if it’s in your mind. Who’s to say that dreams and nightmares aren’t as real as the here and now?

When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school, they asked me what I wanted to be when I grew up. I wrote down ‘happy’. They told me I didn’t understand the assignment, and I told them they didn’t understand life.

Everything will be okay in the end. If it’s not okay, it’s not the end.

by David Jay Brown

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Bob Dylan Profile

Bob Dylan Profile

Photo: ©Globe Photos/ZUMAPRESS.com/Alamy

Bob Dylan is often regarded as one of the greatest singer-songwriters of all time, and he has been a favorite musician of both Carolyn and mine for decades. With a prolific career spanning more than 60 years, Dylan has profoundly influenced music and popular culture in many ways, with his unique poetic gifts, acute political awareness, and natural storytelling abilities.

Born Robert Allen Zimmerman in 1941, and raised in Hibbing, Minnesota, Dylan’s grandparents were Jewish refugees from Russia and Lithuania, who arrived in the United States around the turn of the 20th Century.

While attending Hibbing High School, Dylan performed in several bands. He played cover songs by Elvis Presley and Little Richard in a band called The Golden Chords, and his performance of Rock and Roll is Here to Stay with Danny & the Juniors at his high school talent show was so loud that the principal cut the microphone during mid-performance.

In 1959 Dylan enrolled at the University of Minnesota, where he studied American folk music. Dylan started performing at coffee shops around this time, and he began introducing himself as “Bob Dylan” to give himself anonymity and recreate his persona. He used various aliases initially in his career, such as “Elston Gunn” and Robert Dillion,” but Bob Dylan is the one that stuck.

In 1960, after his first year in college, Dylan dropped out of school, and a year later he traveled to New York City where he went to perform, and he visited his music idol Woody Guthrie, who was seriously ill in the hospital. In 1961 Dylan began playing in clubs around the Greenwich Village neighborhood of Manhattan and often accompanied other folk musicians on the harmonica. When Dylan was 19, he performed at the Café Wha? in Greenwich Village, which was started by our beloved friend Jai Italiaander and her husband.

That same year Dylan played the harmonica on an album by Carolyn Hester, which brought his work to the attention of the album’s producer, who signed Dylan on to Columbia Records. Dylan’s first album, Bob Dylan, consisted of traditional folk, blues and gospel songs, with only two original compositions. The album sold just enough copies to break even, but Dylan was starting to become better known.

Dylan’s second album, The Freewheelin’ Bob Dylan, was released in 1963, and his music— often labeled as “protest songs,” with lyrics that questioned the social and political status quo— became more popular. This album contained his well-known song Blowin’ in the Wind, which was partly derived from the melody of a traditional slave song. Along with the politically charged The Times They Are a Changin, these songs became anthems for the antiwar and civil rights movements of the 1960s.

Dylan’s revolutionary third album Bringing it all Back Home, which was released in 1965, featured his first recordings using electric instruments, and with free-association lyrics that were reminiscent of beat poetry. Using electric instruments with folk music caused some controversy within the folk music establishment, but Dylan’s popularity continued to soar. Dylan has since gone on to sell more than 125 million records, making him one of the bestselling musicians of all time. To date, Dylan has released 39 studio albums, 95 singles, and 15 live albums.

Dylan has strong spiritual beliefs and he has “always thought that there’s a superior power.” Although Dylan was raised in a small, close-knit Jewish community, and even had his Bar Mitzvah when he was 13, he converted to Christianity in the late 1970s and has released three popular albums of contemporary gospel music.

Dylan’s lyrics have received detailed attention from academics and poets. In 1998 Stanford University sponsored the first international academic conference on Dylan’s work, and in 2004 Harvard Classics professor Richard Thomas created a seminar on Dylan’s song lyrics, that put him in the context of classical poets like Virgil and Homer.

Dylan has been inducted into the Rock and Roll Hall of Fame and has won numerous other prestigious awards, including 10 Grammy Awards, the Presidential Medal of Freedom, a Golden Globe Award, an Academy Award, a Pulitzer Prize in 2008, and a Nobel Prize in Literature in 2016. Dylan has also published eight books of drawings and paintings, and his watercolor and acrylic work has been exhibited in major art galleries around the world.

Some of the quotes that Bob Dylan is known for include:

There is nothing so stable as change.

I consider myself a poet first and a musician second. I live like a poet and I’ll die like a poet.

I change during the course of a day. I wake and I’m one person, and when I go to sleep I know for certain I’m somebody else.

I think of a hero as someone who understands the degree of responsibility that comes with his freedom.

I define nothing, not beauty not patriotism. I take each thing as it is, without prior rules about what it should be.

Yesterday’s just a memory, tomorrow is never what it’s supposed to be.

You’re going to die. You’re going to be dead. It could be 20 years, it could be tomorrow, anytime. So am I. I mean, we’re just going to be gone. The world’s going to go on without us. All right now. You do your job in the face of that, and how seriously you take yourself you decide for yourself.

by David Jay Brown

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Leonard Cohen Profile

Leonard Cohen Profile

Photo by Graeme Mitchell for The New Yorker

Another brilliant artist of legendary proportions that Carolyn and I both admire is the late Leonard Cohen. Cohen was a Canadian singer-songwriter, poet, and novelist, whose emotionally powerful work explored such themes as romance, isolation, sexuality, loss, politics, and death. His husky voice and soulful words have touched the hearts of millions, and he continues to soothe and inspire us with his wildly innovative songs and mesmerizing poetry.

Cohen was a masterful poet; he had 17 collections of poetry published in his lifetime, and he didn’t begin his music career until he was 33. Cohen graduated from McGill University in 1952 and spent some time in graduate school at Columbia University, but he wasn’t happy there; he described his academic experience as “passion without flesh, love without climax.” In 1957 Cohen left school to pursue a career as a poet and novelist; he began working various odd jobs so that he could focus on his creative writing.

Disappointed with his lack of success as a writer, in 1967 Cohen moved to New York City to reinvent himself as a folk music singer-songwriter. He began hanging out with artist Andy Warhol and mixing with his associated creative community. Popular singers such as Judy Collins and Joan Baez started covering some of his songs around this time, translating his poetry into music. After performing at a few folk festivals, Cohen came to the attention of a Columbia Records producer who signed him to a record deal, and his first album was released that same year. Cohen released 14 studio albums and eight live albums during the course of a recording career lasting almost 50 years, and a posthumous album, Thanks for the Dance, was released in 2019.

Cohen was a deeply contemplative man, who sought the advice and guidance of spiritual leaders throughout the world. He spent much of his life as a spiritual seeker, alternating periods of deep study of the Jewish Torah with long retreats at Zen monasteries. He had ancestral roots in religion, and his deep personal sense of spirituality was expressed in his most well-known song, Hallelujah, which was the result of a long and profound spiritual journey; it took him years to write the revered classic, filling notebook after notebook with rejected lyrics.

Cohen ran into financial difficulties later in life due to missing money that his ex-manager had stolen, and in 2008 he embarked on his first world tour in fifteen years. He performed his final time in New Zealand in 2013. Appreciation for Cohen’s songs spans across generations, as he had the ability to reach people of all ages, and although I never saw him perform, Carolyn saw him numerous times, and so did my mom, who is also a great admirer.

Cohen was immensely creative and, in addition to his poetry, prose, and music, he also produced countless sketches, drawings, and lithographs, some of which are collected in his book The Flame: Poems Notebooks Lyrics Drawings. Cohen died in 2016, at the age of 82. His legacy is enormous; he is recognized as one of the most influential musicians of our time. His albums have sold millions of copies, and he was inducted into the Rock and Roll Hall of Fame, the Canadian Music Hall of Fame, and the Canadian Songwriters Hall of Fame.

Some quotes that Leonard Cohen is remembered for include:

Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.

You look around you and see a world that doesn’t make sense; you raise your fist or you say ‘hallelujah.

Like a bear stumbling into a beehive or a honey cache: I’m stumbling right into it and getting stuck, and it’s delicious and it’s horrible and I’m in it and it’s not very graceful and it’s very awkward and it’s very painful and yet there’s something inevitable about it. — Cohen describes his writing process

There is a crack in everything. That’s how the light gets in.

The older I get, the surer I am that I’m not running the show.

Carolyn added:David Campagna and I experienced Leonard at many concerts, with seats right next to his performance. At one point he looked into David’s eyes, which were tearing, smiled his half smile, and fell backwards, his eyes also full of tears.

“Then a few months later, while David was at Mt. Sinai Hospital in LA, Leonard said ‘Hi bro’ I ‘They are just hanging us on.’ Then David brought my book The Divine Kiss to Leonard the next week, while dragging himself across the room attached to a chemo machine. Leonard remarked what an act of passion it was that the book was dedicated in David’s honor. I’m not sure if they saw each other again, but Leonard’s family estate does have that book, thanks to David’s heroism.

by David Jay Brown

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