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Carolyn and I have appreciated the work of singer, songwriter, and guitarist Roy Orbison, best known for his distinctive, operatic voice and emotionally evocative ballads, which include such hit songs as Oh, Pretty Woman and Blue Bayou. Orbison received many honors for his exceptional work, including multiple Grammy Awards, and an induction into the Rock and Roll Hall of Fame.
Roy Kelton Orbison was born in 1936 in Vernon, Texas. He was the second of three sons. Orbison’s father was an oil-field driller and auto mechanic, who also worked in defense building B-24 Liberator bombers during WWII. His mother enjoyed painting and writing poetry. As a child, Orbison had eyesight problems and he started wearing thick glasses at four years old.
In 1942, on Orbison’s sixth birthday, his parents gave him a guitar, and his father and older brother taught him how to play it. Orbison’s father showed him the chords to “You Are My Sunshine,” and he learned these first songs by the time he was seven. Within a year, music became the focus of Orbison’s life, and he won a local talent show when he was eight years old. At the age of 9, Orbison won a contest on radio station KVWC, which further led to his own radio show where he sang every week.
Around this time, Orbison’s family moved to Fort Worth, Texas. Orbison said that a formative experience in his childhood was the regular singing sessions that he attended at the nearby military base in Fort Worth where, as a young boy, Orbison would perform for the soldiers stationed there. These soldiers, who were intensely emotional because they were about to be sent to the front lines of World War II, were deeply moved by Orbison’s music. This experience profoundly influenced Orbison’s understanding of the emotional power of music and shaped his future songwriting and performing style.
As a youth Orbison’s primary musical influence came from listening to country and western swing music. In 1949, when Orbison was thirteen years old, he began singing in a rockabilly band called The Wink Westerners. Rockabilly is an early style of rock and roll music, that blends the sound of Western musical styles such as country with that of rhythm and blues.
In 1954, after graduating from high school, Orbison enrolled at North Texas State College in Denton. Orbison planned to study geology there to secure work in the oil fields if his music didn’t pay well enough. However, Orbison became bored with the coursework during his first year and preferred to play music with his fellow students, so he dropped out of college to pursue a music career.
Around this time, Orbison began performing at a local radio show called The Louisiana Hayride, which served as a platform for many aspiring musicians. It was here that Orbison met singer Johnny Cash, as they were both performing on the show. Cash liked Orbison’s music, and he arranged for a meeting between Orbison and Sun Records label founder Sam Phillips.
In 1956, Orbison signed a recording contract with Sun Records, after impressing Phillips with his songwriting talent and unique voice. This was a pivotal moment in Orbison’s life, as it was where he met and began working with other legendary figures in rock music, like Jerry Lee Lewis and Elvis Presley. This experience not only exposed Orbison to the burgeoning rockabilly scene but also helped him refine his unique style, ultimately leading to his breakthrough hits and lasting influence on the music industry.
In 1960, Orbison moved to Nashville, Tennessee, to pursue his music career more intensely and to be closer to the heart of the country’s music industry. In 1962, Orbison first met Bob Dylan and they formed a lifelong bond. Orbison switched his recording contract to Monument Records, and between 1960 and 1966, twenty-two of Orbison’s single songs reached the Billboard Top 40. Orbison wrote or co-wrote almost all of his own top 10 hits, including Only the Lonely (Know the Way I Feel), Crying, and Running Scared. These songs were primarily about themes of love, heartache, and longing, characterized by his powerful, emotive vocals and dramatic, orchestral arrangements.
For a song to reach the Billboard Top 40 means that it has achieved significant popularity and sales, ranking within the top 40 positions on the Billboard Hot 100 Chart. This chart is a widely recognized industry standard for measuring the success of singles in the United States, based on factors such as radio airplay, sales data, and streaming activity. Reaching the Top 40 is a notable accomplishment, indicating that the song is among the most popular and frequently played tracks in the country at that time.
At the height of his success, Orbison faced several personal tragedies that profoundly affected his life and career. In 1966, Orbison’s wife died in a motorcycle accident, and in 1968, a house fire claimed the lives of his two eldest sons. After these losses, Orbison experienced a quieter period in his career, although he continued touring and recording.
Despite these hardships, Orbison maintained a loyal fanbase and collaborated with various artists. He also made several television appearances and released albums that kept his distinctive voice and style in the public eye. Despite these devastating losses, Orbison persevered in his career, channeling his grief into his music and ultimately achieving a remarkable comeback years later.
In 1987, Orbison was inducted into the Rock and Roll Hall of Fame and Nashville Songwriters Hall of Fame.
In 1988, Orbison co-founded The Traveling Wilburys, a band with George Harrison, Bob Dylan, Tom Petty, and Jeff Lynne. Often referred to as a “supergroup,” due to its mega-star members, The Traveling Wilburys achieved significant commercial success and critical acclaim with their blend of rock and folk music, which was characterized by its collaborative spirit and hit songs like Handle with Care and End of the Line. Their debut album in 1988 placed Orbison in the Billboard Top Ten for the first time since 1964.
Orbison also recorded a new solo album, “Mystery Girl,” around this time, which is often considered to be his finest work in decades. Tragically, Orbison died of a heart attack that year in Hendersonville, Tennessee, at the age of 52. This was just a few weeks after the release of The Traveling Wilburys debut album. Mystery Girl was released posthumously in 1989, and it featured the hit single You Got It, which remained in the Billboard Top Ten for 18 weeks.
Orbison is remembered for his distinctive style, incredible vocal range, and carefully crafted ballads of loneliness, heartache, romantic yearning, and despair.
In 1989, Orbison was inducted into The National Academy of Popular Music Songwriters Hall of Fame, and the Musicians Hall of Fame and Museum in 2014. He received a Grammy Lifetime Achievement Award and five other Grammy Awards. Rolling Stone magazine placed Orbison at number 37 on its list of the Greatest Artists of All Time, and number 13 on its list of the 100 Greatest Singers of All Time. In 2002, Billboard magazine listed him at number 74 on its list of the Top 600 Recording Artists.
Some of the quotes that Roy Orbison is known for include:
I close my eyes, then I drift away, into the magic night I softly say. A silent prayer, like dreamers do, then I fall asleep to dream my dreams of you.”
If you have faith, then your whole life is put in a new perspective. You get to work but enjoy the work at the same time. If you grow spiritually, you do what’s in front of you and let the results speak for themselves.
To be a songwriter-singer means the songs come from deep within, and you treat them as an artist, with that much respect. I couldn’t hardly cheat myself.
You wiggle to the left, you wiggle to the right, you do the Ooby Dooby with all your might.
My voice is a gift. My talent is a gift. The life process is a gift. The opportunity for the journey is a gift.
You set out to whip the world, and then when you get beat up a little bit… You turn your will over to God.
I’ve really learned a lot, really learned a lot, love is like a stove, burns you when it’s hot.
I may be a living legend, but that sure don’t help when I’ve got to change a flat tire.
Carolyn and I have appreciated the work of British musician George Harrison, who achieved international fame as a singer, songwriter, and lead guitarist for the Beatles. Harrison helped to widen the scope of popular music by embracing Indian culture and incorporating their instrumentation and spirituality.
George Harrison was born in Liverpool, England in 1943. He was the youngest of four children (and years later, he was the youngest of the four Beatles). His father was a bus conductor and a steward in the merchant navy. Harrison’s mother was a grocery shop assistant, and an enthusiastic music fan, who was known among her friends for her loud singing voice.
While Harrison was still in his mother’s womb, his mom used to listen to Indian music. Harrison’s biographer Joshua Greene wrote, “Every Sunday she tuned in to mystical sounds evoked by sitars and tablas, hoping that the exotic music would bring peace and calm to the baby in the womb.” This seemed to have a profound effect, as Harrison sought to incorporate this type of music into his own years later.
In 1948, at age five, Harrison attended primary school in Liverpool, and from 1954 to 1959 he attended high school there. Harrison began playing the guitar in high school, where he first met Paul McCartney, they became good friends because of their shared interest in music. Harrison extremely disliked his experience in school and dropped out at the age of 16.
Around this time, Paul McCartney invited Harrison to join his rock band the Quarrymen, which he had recently formed with his friend John Lennon. The group underwent several name and member changes before becoming The Beatles and settling on Harrison as the lead guitarist, Lennon as vocalist and rhythm guitarist, McCartney as vocalist and bass guitarist, and Ringo Star as the drummer.
The Beatles, of course, became one of the most influential and successful bands in popular music, achieving countless accolades, including 20 number-one singles, 19 number-one albums, and induction into the Rock and Roll Hall of Fame. They revolutionized music with innovative sound, lyrics, and cultural impact, leaving a legacy that inspires generations of music lovers. Some popular songs that Harrison contributed as one of the Beatles include While My Guitar Gently Weeps, Here Comes the Sun, and Something.
In 1965, Harrison studied the sitar, a stringed instrument from India, with musician Ravi Shankar, and he incorporated this new skill into his music with the song Norwegian Wood. Harrison’s interest in Indian culture grew, and in 1968, he and the other Beatles traveled to India to study transcendental meditation with Maharishi Mahesh Yogi. Although this trip to India influenced dozens of subsequent Beatles songs, Harrison was the only member of the group to adopt these spiritual practices as a part of his life.
Harrison deeply explored Hindu spirituality, particularly Krishna Consciousness, which significantly influenced his life and music. Krishna Consciousness, also known as Bhakti Yoga, is a spiritual movement and philosophy that emphasizes devotion, love, and service to Krishna, the Supreme Being, as a path to achieve spiritual growth, self-realization, and union with the divine. Harrison incorporated Eastern philosophical themes and spiritual sentiments into his songs, such as “My Sweet Lord” and “The Inner Light,” reflecting his quest for spiritual growth and self-realization.
Later in 1968, Harrison released his first solo work with the soundtrack to the British experimental film Wonderwall. Then he released several best-selling singles and albums as a solo performer. In 1970, the Beatles broke up, and Harrison released his highly successful album All Things Must Pass. In 1971, Harrison staged two concerts with Ravi Shankar at Madison Square Garden in New York City to raise money to help fight starvation in Bangladesh. The music from these two concerts was released on a triple album set that year called The Concert for Bangladesh, which was certified gold in 1972 with over five million copies sold.
In 1973, Harrison released his album Living in the Material World, which included his popular song Give Me Love (Give Me Peace on Earth). In 1979, Harrison entered the world of film production as a founder of Handmade Films. The British production company created several notable films, such as Monty Python’s Life of Brian in 1979, The Long Good Friday in 1980, Time Bandits in 1981, and Mona Lisa in 1986.
In 1987, Harrison released his album Cloud Nine, which included his hit song Got My Mind Set on You. In the late 1980s, Harrison was a frequent collaborator, and he often appeared on the albums of other musicians and former bandmates. He recorded and performed with Bob Dylan, Roy Orbison, Tom Petty, and others as part of the Traveling Wilburys, a platinum-selling band that he co-founded in 1988. Harrison was also featured as a guest guitarist on songs by Badfinger, Ronnie Wood, and Billy Preston, and he collaborated on songs and music with Eric Clapton.
Harrison was also an avid gardener and landscape designer. He created the beautiful gardens at his estate, Friar Park, which included a large lake, waterfalls, and a variety of plants and trees. Friar Park is a Victorian neo-Gothic mansion in Henley-on-Thames, England, that was built in 1895. The site covers about 30 acres and features caves, grottoes, underground passages, a multitude of garden gnomes, and an Alpine rock garden with a scale model of the Matterhorn, a majestic mountain in the Alps. In 1981, Harrison released a book called Friar Park: A Personal Tour showcasing his gardens and sharing his passion for gardening.
Harrison was known for his quiet and peaceful nature. Speaking about himself, he said, “I’m really quite simple. I don’t want to be in the business full-time, because I’m a gardener. I plant flowers and watch them grow. I don’t go out to clubs. I don’t party. I stay at home and watch the river flow.”
Then, in 1999, Harrison was attacked by an armed schizophrenic intruder in his home at 3:30 in the morning, who was breaking windows and screaming. “I wrestled hand to hand with the face of evil for fifteen minutes,” said Harrison. During the attack, Harrison began loudly chanting, “Hare Krishna, Hare Krishna…” and he survived with over 40 stab wounds. Harrison’s statement following the attack was, “He wasn’t a burglar, and he certainly wasn’t auditioning for the Traveling Wilburys.”
Harrison died of cancer in 2001 in Los Angeles at the age of 58. In 2023, Rolling Stone magazine ranked Harrison number 31 in their list of greatest guitarists of all time. He is a two-time Rock and Roll Hall of Fame inductee— as a member of The Beatles in 1988, and posthumously for his solo career in 2004.
Some of the quotes that George Harrison is known for include:
I fell in love, not with anything or anybody in particular but with everything.
The only thing we really have to work at in this life is how to manifest love.
Heaven and hell is right now, right at this moment. You make it heaven or you make it hell by your actions.
Silence often says much more than trying to say what’s been said before.
If you don’t know where you’re going, any road will take you there.
Death is just where your suit falls off and now you’re in your other suit. You can’t see it on this level, but it’s all right. Don’t worry.
When you’ve seen beyond yourself, then you may find, peace of mind is waiting there.
Life flows on within you and without you.
Carolyn and I have appreciated the work of physicist, activist, and ecologist Fritjof Capra, who is the founding director of the Center for Ecoliteracy, and author of several bestselling books, including The Tao of Physics, which explores the relationship between Eastern philosophy and modern physics.
Fritjof Capra was born in Vienna, Austria in 1939. His father was an attorney and his mother was a poet. Capra attended the University of Vienna and earned his Ph.D. in theoretical physics in 1966. Capra also studied numerous languages and is fluent in German, English, Italian, and French.
Capra conducted physics research at several prestigious institutions. Between 1966 and 1968, he was a researcher at the University of Paris. Between 1968 and 1970, he conducted research at the University of California, Santa Cruz. In 1970, he was a researcher at the Stanford Linear Accelerator Center in Palo Alto, California, and then at Imperial College in London between 1971 and 1974. Between 1975 and 1988, Capra worked at the Lawrence Berkeley Laboratory in Northern California.
Capra was involved in theoretical high-energy physics research, focusing on quantum field theory and particle physics. He worked on topics related to the physics of subatomic particles, exploring the fundamental forces and interactions that govern their behavior. Capra’s work included studying the properties and interactions of elementary particles, contributing to the understanding of quantum mechanics, and developing theoretical frameworks that describe particle interactions.
In 1975, while Capra was a researcher in Northern California, he joined the Fundamental Fysiks Group, which met weekly to discuss philosophy and quantum physics. Our friend Nick Herbert, who I wrote a profile about a while back, was also a member of this legendary group that revolutionized physics. David Kaiser’s book How the Hippies Saved Physics, chronicles how this group of unconventional physicists in the 1970s, blended psychedelic and counterculture influences with scientific inquiry, to help revive interest in the foundations of quantum mechanics and contribute to the development of quantum information science.
That same year Capra published his groundbreaking book The Tao of Physics, which became a bestseller and was translated into twenty-three languages. The book explores the parallels between modern physics and Eastern mysticism, suggesting that both realms offer complementary perspectives on the nature of reality. Capra argues that quantum mechanics and relativity discoveries reflect the holistic and interconnected worldview found in ancient spiritual traditions such as Taoism, Buddhism, and Hinduism.
In 1982, Capra published his book The Turning Point, which examines the failures of modern society’s mechanistic worldview and advocates for a paradigm shift towards a more holistic, ecological approach to science, economics, and society. In 1988, Capra published Uncommon Wisdom: Conversations with Remarkable People, a series of dialogues that he had with several brilliant thinkers, such as Alan Watts, Gregory Bateson, Krishnamurti, and R.D. Laing about the interconnectedness of life and the universe.
In 1990, the movie Mindwalk — starring Liv Ullmann, Sam Waterston, and John Heard— was released, and Capra co-wrote the screenplay. The film — which is about three people who engage in a deep philosophical discussion on a variety of topics, including science, politics, and the interconnectedness of life, while walking around the island of Mont Saint-Michel in France — is loosely based on his book, The Turning Point.
In 1991 Capra co-authored Belonging to the Universe: Explorations on the Frontiers of Science and Spirituality with a Benedictine monk David Steindl-Rast. The book explores parallels between new paradigm thinking in science and religion, and it won the American Book Award in 1992.
In 1995, Capra co-founded the Center for Ecoliteracy in Berkeley, California. The organization is dedicated to promoting ecological education in schools and integrates ecological principles into the curriculum to foster environmental awareness and sustainability among students. It has supported projects in habitat restoration, school gardens, and cooking classes, partnerships between farms and schools, school food transformation, and curricular innovation.
In 1996, Capra published his book The Web of Life, which presents a new scientific understanding of living systems, emphasizing the interconnectedness and interdependence of all life forms through the principles of complexity, networks, and ecology. In 1998, Capra received the New Dimensions Broadcaster Award, in 1999 he received the Bioneers Award, and in 2007 he was inducted into the Leonardo da Vinci Society for the Study of Thinking.
In 2002, Capra published The Hidden Connections, and he co-authored The Systems View of Life in 2014. Both books emphasize the interconnectedness and complexity of living systems, integrating perspectives from biology, ecology, and social sciences to understand the holistic nature of life. Capra has also taught physics classes at the University of California Santa Cruz, University of California, Berkeley, and San Francisco State University over the years.
In 2018, at an event hosted by our friend Ralph Abraham, I met Fritjof Capra. I told him how much I had enjoyed his book The Tao of Physics, and asked him about his inspiration for writing it. Fritjof then described to me how he was sitting on a beach in Santa Cruz when he experienced the revelations that led to his integration of physics with Taoism, and how mystical experiences that he had with “power plants” had played a role in his insight.
Some of the quotes that Fritjof Capra is known for include:
The mystic and the physicist arrive at the same conclusion; one starting from the inner realm, the other from the outer world. The harmony between their views confirms the ancient Indian wisdom that Brahman, the ultimate reality without, is identical to Atman, the reality within.
Mystics understand the roots of the Tao but not its branches; scientists understand its branches but not its roots. Science does not need mysticism and mysticism does not need science; but man needs both.
Quantum theory thus reveals a basic oneness of the universe. It shows that we cannot decompose the world into independently existing smallest units. As we penetrate into matter, nature does not show us any isolated “building blocks,” but rather appears as a complicated web of relations between the various parts of the whole. These relations always include the observer in an essential way. The human observer constitute the final link in the chain of observational processes, and the properties of any atomic object can be understood only in terms of the object’s interaction with the observer.
The more we study the major problems of our time, the more we come to realize that they cannot be understood in isolation. They are systemic problems, which means that they are interconnected and interdependent.
At the deepest level of ecological awareness you are talking about spiritual awareness. Spiritual awareness is an understanding of being imbedded in a larger whole, a cosmic whole, of belonging to the universe.
In ordinary life, we are not aware of the unity of all things, but divide the world into separate objects and events. This division is useful and necessary to cope with our everyday environment, but it is not a fundamental feature of reality. It is an abstraction devised by our discriminating and categorizing intellect. To believe that our abstract concepts of separate ‘things’ and ‘events’ are realities of nature is an illusion.
Carolyn and I have appreciated the work of pioneering cultural anthropologist Margaret Mead, who profoundly influenced the social sciences by studying the behavioral patterns of different cultures, particularly in the South Pacific. Mead’s groundbreaking work challenged Western perceptions of human development and sexuality, emphasizing cultural variability.
Margaret Mead was born in Philadelphia, Pennsylvania in 1901. Her father was a professor of finance, her mother was a sociologist, and she had four younger siblings. As a child, Mead’s family moved around frequently, and her grandmother largely educated her.
In 1912, when Mead was eleven, she was enrolled at the Buckingham Friends School in Lahaska, Pennsylvania. In 1919, Mead studied for a year at DePauw University in Greencastle, Indiana, and then she transferred to Barnard College in New York City. Mead graduated from Barnard in 1923, and then she received her master’s degree in psychology from Columbia University a year later.
In 1925, Mead set out for the Polynesian island of Tau in the South Pacific Ocean. This was where she did her first ethnographic fieldwork, studying the life of Samoan girls and women. Mead’s observations were summarized in the now-classic book Coming of Age in Samoa, published in 1928, and describe how Samoan children were raised and educated and how sexual relations occurred in the culture. Mead also studied personality development on the island, as well as dance, interpersonal conflict, and how Samoan women matured into old age.
Coming of Age in Samoa contrasts development in Samoa with that in the United States, and the book was received with wide acclaim for its revolutionary approach to understanding adolescence in different cultures. It became a bestselling work and has been highly influential in the field of anthropology. However, it wasn’t without controversy. Some conservative groups and individuals were uneasy with the book’s conclusions, which contradicted traditional views on adolescence and morality.
In 1926, Mead was back in New York City, where she became an assistant curator at the American Museum of Natural History, and in 1929 she received her Ph.D. in anthropology from Columbia University.
In 1929, Mead visited the island of Manus, which is now part of Papua New Guinea, where she did more cultural studies. In 1930, Mead published her book Growing Up in New Guinea, which is about her encounters with the indigenous people of the Manus— before they had been changed by missionaries and other Western influences— and she compares their views on family, marriage, sex, child-rearing, and religious beliefs to those of westerners. As with her pioneering studies in Samoa, Mead’s studies in New Guinea also challenged prevailing Western views on adolescence, gender roles, and cultural norms.
In 1932, Mead met anthropologist Gregory Bateson while conducting anthropological fieldwork on the shores of the Sepik River in New Guinea, and they married in 1936. That same year, the couple traveled to Bali, Indonesia, where they helped to pioneer Visual Anthropology, a subfield of anthropology that uses visual media— such as film, photography, and digital imagery— to study and communicate cultural practices and social phenomena. Mead and Bateson were some of the earliest anthropologists to emphasize the importance of photography as a tool for ethnographic research, and they used visual media extensively during their fieldwork to capture cultural practices and everyday life. They believed that visual records provided invaluable data and insights that complemented written ethnographies.
In 1935, Mead published Sex and Temperament in Three Primitive Societies. This is a study of the intimate lives of three New Guinea tribes from infancy to adulthood. Focusing on the “gentle, mountain-dwelling Arapesh, the fierce, cannibalistic Mundugumor, and the graceful headhunters of Tchambuli,” Mead advanced the theory that many so-called masculine and feminine characteristics are not based on biological sex differences but reflect the cultural conditioning of different societies. For example, the Tchambuli tribe exhibited a unique gender role reversal, compared to the West, in which women dominated economic and social activities while men engaged in artistic and emotionally expressive pursuits.
Mead continued to study the cultures of the Pacific islands. In 1949, she published Male and Female, an anthropological examination of seven Pacific island tribes. Mead analyzed the dynamics of these cultures, to explore the evolving meaning of “male” and “female” in contemporary American society, and the book also offers hope, by providing examples of how to resolve conflict between the sexes. When it was published The New York Times declared, Dr. Mead’s book has come to grips with the cold war between the sexes and has shown the basis of a lasting sexual peace.”
From 1946 to 1969, Mead was curator of ethnology at the American Museum of Natural History in New York City, where she had been an assistant curator twenty years earlier. From 1954 to 1978, Mead taught anthropology at Columbia University and The New School for Social Research in New York City. In 1960, Mead served as president of the American Anthropological Association in the 1960s and 1970s, and she held various positions in the New York Academy of Sciences and the American Association for the Advancement of Science.
Mead also had an interest in altered states of consciousness. She shared professional circles with, and interacted with, our friends neuroscientist John C. Lilly and psychologist Timothy Leary. Mead and Bateson contributed to conversations about the nature of human consciousness by emphasizing cultural relativity, interconnectedness, and systems thinking. In later life, Mead mentored many young anthropologists and sociologists, including psychologist Jean Houston, whom I did a profile about several months ago. In 1976, Mead was inducted into the National Women’s Hall of Fame. Mead died in 1978 at the age of 76.
In 1979, U.S. President Jimmy Carter announced he was awarding the Presidential Medal of Freedom posthumously to Mead. In 1984, Mead and Bateson’s daughter, anthropologist Mary Catherine Bateson, published a book, With a Daughter’s Eye, about her experience growing up with two of the world’s legendary anthropologists. In 1998, the U.S. Post Office issued a 32-cent stamp with Mead’s face.
The Margaret Mead Award is presented annually in Mead’s honor by the Society for Applied Anthropology and the American Anthropological Association, for significant works that communicate anthropology to the general public. There are schools named after Mead: a junior high school in Elk Grove Village, Illinois, an elementary school in Sammamish, Washington, and another in Brooklyn, New York.
Some of the quotes that Margaret Mead is known for include:
Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has.
Children must be taught how to think, not what to think.
I was wise enough never to grow up, while fooling people into believing I had.
Laughter is man’s most distinctive emotional expression.
As the traveler who has once been from home is wiser than he who has never left his own doorstep, so a knowledge of one other culture should sharpen our ability to scrutinize more steadily, to appreciate more lovingly, our own.
Always remember that you are absolutely unique. Just like everyone else.
… the ways to get insights are: to study infants; to study animals; to study primitive people; to be psychoanalyzed; to have a religious conversion and get over it; to have a psychotic episode and get over it; or to have a love affair with an old Russian…
An ideal culture is one that makes a place for every human gift.