Nikos Kazantzakis Profile

Nikos Kazantzakis Profile

Upon Carolyn’s recommendation, I recently watched the 1964 film Zorba the Greek, which I greatly enjoyed. The movie was based on the novel by Greek writer Nikos Kazantzakis, who Carolyn has raved about for years. Kazantzakis has written many other critically acclaimed works of fiction and nonfiction and is remembered today as one of Greece’s greatest writers.

Nikos Kazantzakis was born in 1883 in Heraklion, the capital city of Crete, which was then part of the Ottoman Empire. Kazantzakis was the eldest of four children. His father was a farmer and animal feed dealer, who was described as “unsociable,” while his mother was described as “saintly.”

From 1902 to 1906 Kazantzakis studied law at the University of Athens and he graduated with honors. In 1907 he went to the Sorbonne in Paris to study philosophy. In Paris, he was deeply influenced by the philosophy of Henri Bergson and the idea that “a true understanding of the world comes from the combination of intuition, personal experience, and rational thought.” Kazantzakis’ 1909 doctoral dissertation at the Sorbonne was on the philosophy of Friedrich Nietzsche, and upon returning to Greece he began translating works of philosophy.

In 1906 Kazantzakis published his first work, an essay titled The Disease of the Century, which was published by Picture Gallery Magazine. That same year Kazantzakis also published his first book, The Serpent and Lily. Both the essay and the book were written under the pen name “Karma Nirvami,” which was one of the pseudonyms that Kazantzakis used during the first few years of his writing. His first play, Daybreak, was staged several months later at the Athenian Theater in Athens, and in 1909 he wrote a one-act play about existential themes called The Comedy.

Through the next several decades Kazantzakis traveled extensively throughout the world. He traveled around Greece and much of Europe— including Germany, Italy, France, The Netherlands, and Romania— as well as northern Africa, Egypt, Russia, Japan, and China. These travels put Kazantzakis in contact with different philosophies, ideologies, and lifestyles that would later influence his writing, as he often used his experiences to create vivid settings and characters in his works.

In 1919, Kazantzakis was appointed as the director general of the Greek Ministry of Public Welfare, although he only held this post for a year before resigning. However, during his service, he helped to feed and rescue over 150,000 Greek war victims.

In 1924 Kazantzakis first met Eleni Samiou, who was 21 years old at the time, and who devoted her life to helping Kazantzakis with his work. They began a romantic relationship around four years later, although they weren’t formally married until 1945. Samiou helped Kazantzakis by typing his drafts, commenting on his drafts before they were published, accompanying him on his travels, and managing his business affairs. They were married until his death.

In 1924 Kazantzakis also began working on an epic poem that was based on Homer’s “Odyssey,” which he retold from a contemporary perspective. Kazantzakis considered this to be his most important work. After fourteen years of writing and revision, it was finally published in 1938 as The Odyssey: A Modern Sequel.

Kazantzakis also wrote several books about his own interpretation of Christianity and Greek Orthodoxy, such as “The Saviors of God,” a series of spiritual exercises that he wrote between 1922 and 1923 and was first published in 1927. “The Saviors of God” is today widely considered to be his greatest work of philosophy. It incorporates elements from Bergson, Marx, and Nietzsche, as well as Christianity and Buddhism.

Facing financial difficulty in 1934, to earn money Kazantzakis wrote three textbooks for the second and third grades. The Greek Ministry of Education adopted one of them and his financial concerns were alleviated for a time.

In the following years, Kazantzakis wrote some of his most acclaimed works, which established him as a major Modern Greek writer. In 1946 his most famous novel, Zorba the Greek, was published. The novel beautifully contrasts the sensual and intellectual facets of human nature. It is a transformative story of a young writer who ventures off to escape his bookish, intellectual life, with the unexpected aid of a charismatic and boisterous, passionate, and mysterious peasant and musician named Alexis Zorba. The novel was adapted into the wonderful 1964 film starring Anthony Quinn that I mentioned earlier, and it won three Academy Awards.

Kazantzakis was spiritually inclined, but he had some issues with his Greek Orthodox Christian faith. As a child, he was baptized within the Greek Orthodox tradition, and he was drawn to the stories of saints. Many scholars and critics say that his works center on a search for spiritual and religious truth. Kazantzakis was exposed to different religious belief systems, like Buddhism, during his travels, influencing him to doubt his Christian faith. Although he never denied it, his criticism of Christianity caused tension within the Greek Orthodox Church and with his critics. In 1948 Kazantzakis wrote The Last Temptation of Christ and Christ Recrucified, his most controversial works, which are about questioning Christian values. The Last Temptation of Christ was condemned by the Catholic Church and was not published until 1956.

Kazantzakis’s novel Report to Greco was written in 1945, but not published until 1961. It’s an autobiographical work, and it explores Kazantzakis’s spiritual quest and his search for what he called a “new man.” In 1949 he wrote The Greek Passion, a play set during the Greco-Turkish War of 1919-22. Kazantzakis traveled extensively throughout this period, spending time in France, Austria, Italy, Germany, and the United States.

In 1953 Kazantzakis published The Greek Passion, which is a novel about a village’s struggle to cope with the Greek Civil War. Kazantzakis was also a prolific translator, translating works by Dante, Shakespeare, and many other writers into the Modern Greek language. He translated a number of notable works including The Divine Comedy, Thus Spoke Zarathustra, On the Origin of Species, and Homer’s Iliad and Odyssey.

In addition to his widely acclaimed novels, memoirs, philosophical essays, and translations, Kazantzakis also wrote travel books and he lectured widely. Kazantzakis was nominated for the Nobel Prize in Literature for nine different years but never won. In 1957 he lost the Prize to Albert Camus by a single vote. Camus later said that Kazantzakis deserved the honor “a hundred times more” than himself. 

Kazantzakis died in 1957, in Germany, after a return flight from Asia. He is buried in Crete, at the highest point of the Walls of Heraklion, the Martinengo Bastion, which looks out over the mountains and the Sea of Crete. Kazantzakis’ epitaph reads: “I hope for nothing. I fear nothing. I am free.”

In 1968 Eleni Samiou published a biography of her husband— Nikos Kazantzakis— The Uncompromising — which contains the story of Nikos’ life and a large number of their letters.

In 2007 a euro collectors’ coin, the €10 Euro Greek Nikos Kazantzakis commemorative coin, was minted for the 50th anniversary of his death. His image is on the obverse of the coin, while the reverse carries the National Emblem of Greece with his signature. In 2017, on the 60th anniversary of his death, the €2 Euro Greece Grecia with his image was also minted.

In 2022, 65 years after the death of Kazantzakis, fans of his work rejoiced, when his final novel Aniforos was first published. The manuscript had been kept at the Nikos Kazantzakis Museum in the author’s home village of Mirtia, Crete since its rediscovery. Aniforos was written right after Zorba the Greek in 1946, and is filled with autobiographical references and reflections on his firsthand experience of World War II.

Some of the quotes that Nikos Kazantzakis is known for include:

God changes his appearance every second. Blessed is the man who can recognize him in all his disguises.

The only thing I know is this: I am full of wounds and still standing on my feet.

A man needs a little madness, or else… he never dares cut the rope and be free.

You can knock on a deaf man’s door forever.

Since we cannot change reality, let us change the eyes which see reality.

I said to the almond tree, ‘Sister, speak to me of God.’ And the almond tree blossomed.

You have your brush, you have your colors, you paint the paradise, then in you go.

Once, I saw a bee drown in honey, and I understood.

by David Jay Brown

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Gustav Klimt Profile

Gustav Klimt Profile

Carolyn and I have long admired the exquisite work of the late Austrian painter Gustav Klimt, who is Carolyn’s all-time favorite artist, along with Picasso.

Gustav Klimt was an influential Austrian symbolist artist who is known for his uniquely stylized paintings. His work had a lasting impact on the development of modern art, and his paintings are among the most recognizable and beloved pieces of art today.

Klimt’s most well known works date from the early 1900s. His paintings during this period focused on symbolism, eroticism, and the female form. Klimt used a variety of techniques and materials, including gold and silver leaf, to create his iconic works of art. His use of color, pattern, and symbolism helped to create an unmistakable style that influenced many of the artistic movements that followed.

Klimt was born in 1862 in the outskirts of Vienna, Austria. His father was an engraver and goldsmith, and his mother was an amateur musician, which likely had an important influence on Klimt’s art. Klimt attended the Vienna School of Arts and Crafts, where he learned the basics of painting and drawing, and was accepted into the Vienna Academy of Fine Arts, where he studied for six years. During his early years as a painter, he created mostly landscape paintings and portraits in the academic style of the late 19th century, and was a successful painter of conventional architectural decorations. Klimt was also a talented architect and designer, who designed furniture and interior decorations, as well as a group of buildings in Vienna.

In 1897 Klimt co-founded the Vienna Secession group with other artists, architects, and designers. This was an art and design movement, which sought to promote modern artwork, architecture, and design in Vienna and elsewhere. Here Klimt was exposed to more modern, progressive styles of painting. He also studied the work of other great painters such as Rubens, Botticelli, and Klimt’s mentor, Hans Makart. Through this combination of formal training and studying the greats, Klimt was able to develop his own most original style of painting.

Klimt was also influenced by the mysticism of the Symbolist movement, and the medieval mosaics that he saw on his travels to Venice and Ravenna in 1903 were most inspiring. Some of his best-known works followed after this journey, including Kiss in 1908, and his portrait of Adele Bloch-Bauer, which was completed between 1903 and 1907.

Although Klimt’s artwork is associated with sensuous and erotic depictions of women, he never married. However, he found inspiration in Emilie Flöge, a well-known fashion designer who became his muse, life companion, business partner, and lover. They met in 1890 when she was 18 years old, and their unconventional relationship influenced each other’s work. Although the exact nature of their relationship isn’t clear, it is said to have proved stronger than marriage and lasted for twenty-seven years. Some art historians believe that the female model pictured in Klimt’s painting Kiss was Emilie Flöge, although the hair color suggests it might be the red-haired Hilde Roth, one of Klimt’s other lovers.

Klimt’s final years were marked by a number of health issues. He suffered from a stroke in 1911, which left him partially paralyzed and unable to work with the same ability. He continued to paint, although a more somber and muted palette characterized his later works. Despite his health issues, Klimt’s work remained influential during this time, and his paintings were exhibited in several major cities throughout Europe, including Vienna, Berlin, and Paris. Klimt’s work was also featured in a major retrospective at the Museum of Modern Art in New York in 1935.

Klimt died in 1918. He was buried in Hietzing, Vienna, and numerous paintings by him were left unfinished after his death. Klimt’s influence continues to this day, with his works held in high regard by art historians and collectors alike. His works are among the most expensive paintings ever sold, with one of his paintings— the 1912 portrait of Adele Bloch-Bauer II, which was previously owned by talk show host Oprah Winfrey — selling for over $150 million.

In 1941 the Nazis stole Klimt’s famous painting, Portrait of Adele Bloch-Bauer I, and acting on behalf of the German state, the portrait was given to the Galerie Belvedere in Austria. However, in 2006, after a seven-year legal claim, an arbitration committee in Vienna agreed that the painting, and others, had been stolen from the family and that it should be returned to Adele’s husband’s niece Maria Altmann, who sold the painting for $135 million, which at the time was a record price for a painting.

In 2012 the city of Vienna had many special exhibitions commemorating the 150th anniversary of Klimt’s birth. Klimt’s paintings have inspired numerous artists, as well as many creative people working in different artistic mediums. For example, his paintings have been used as the basis for films and video games. In 2014 the science fiction role-playing game Transistor used Klimt’s work as a part of the game’s aesthetic, and the 2010 film Shutter Island recreates Klimt’s famous painting Kiss.

Klimt’s works are now located in various museums, galleries, and collections around the world. In the United States, there are collections at the Museum of Modern Art and Neue Gallery in New York City, and the J. Paul Getty Museum in Malibu.

In 2021 an artificial intelligence program was used to digitally reconstruct three lost paintings by Klimt. These three paintings were stolen by the Nazis and were likely destroyed in a 1945 fire. However, thanks to an advanced AI program, these remarkable paintings have been reconstructed in full color from old black-and-white photographs.

Some of the quotes that Klimt is known for include:

No part of life is so small and insignificant that it does not offer space for artistic aspirations.

Even the most humble object, provided it is perfectly executed, increases the beauty of our earth.

There is no self-portrait of me. I am not interested in my person as an object of painting.

Whoever wants to know something about me, they should look attentively at my pictures and there seek to recognize what I am and what I want.

Truth is like fire; to tell the truth means to glow and burn.

All art is erotic.

There is always hope, as long as the canvases are empty.

by David Jay Brown

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Thích Nhất Hạnh Profile

Thích Nhất Hạnh Profile

Thích Nhất Hạnh’s wisdom and teachings have been a great inspiration to Carolyn and I. He was a Vietnamese Buddhist monk, as well as an author, peace activist, poet, and teacher, who had a major influence on Western practices of Buddhism. According to The New York Times, “Among Buddhist leaders influential in the West, Thích Nhất Hạnh ranks second only to the Dalai Lama.”

Nhất Hạnh combined a variety of teachings from Early Buddhist schools, with different Buddhist traditions, and ideas from Western psychology, in order to teach the foundations of mindfulness, offering a modern perspective on meditation practice. Mindfulness means maintaining a moment-by-moment awareness of our thoughts, feelings, bodily sensations, and surrounding environment.

Nhất Hạnh was born in 1926, in the ancient capital of Huế, which is located in central Vietnam and was under French colonial rule at the time. His father was an official with the French Administration and his mother was a homemaker. Nhất Hạnh was the fifth of six children, and until the age of five, he lived at his grandmother’s home with his large extended family.

At the age of seven or eight, Nhất Hạnh saw a drawing on the cover of one of his older brother’s magazines of a peaceful, smiling Buddha sitting on the grass, and he recalls that this picture gave him joy, and left him with a feeling of peace and tranquility.

One day on a school trip when Nhất Hạnh was eleven, he visited a nearby sacred mountain where a hermit was said to live, and he had what he would later describe as his first spiritual experience. The hermit was said to sit quietly every day to become peaceful like the Buddha. Nhất Hạnh explored the area, looking for the hermit, who he never found. However, he found a natural well there, which he drank from, before falling into a deep sleep on the nearby rocks. When Nhất Hạnh awoke he felt so completely satisfied from drinking this magical well water that he was inspired to become a Buddhist monk.

Nhất Hạnh first expressed interest in training to become a monk at the age of 12. Although his parents were cautious about this at first, they eventually let him pursue his calling at the age of 16. In 1942 Nhất Hạnh entered the monastery at Từ Hiếu Temple, where he received three years of instruction, and his primary teacher there was a Zen Master.

From 1955 to 1957 Nhất Hạnh lived in Huế and served as the editor of the official publication of the General Association of Vietnamese Buddhists. However, after two years the publication was suspended, as higher-ranking monks disapproved of Nhất Hạnh’s writings. In 1964 Nhất Hạnh became involved in co-founding the Institute of Higher Buddhist Studies, a private institution in Saigon that taught Buddhist studies, Vietnamese culture, and languages.

In the early 1960s in Vietnam, Nhat Hanh also co-founded Van Hanh Buddhist University and the School of Youth for Social Service, a grassroots relief organization of 10,000 volunteers based on the Buddhist principles of “non-violence and compassionate action.” This was a neutral corps of Buddhist peace workers who went into rural areas to establish schools, build healthcare clinics, and help rebuild villages.

In 1966 Nhất Hạnh received the “lamp transmission” at the Từ Hiếu Temple in Vietnam from a Zen master, making him a Buddhist teacher and spiritual head of temple and associated monasteries. That same year he was exiled from South Vietnam, after expressing opposition to the war and refusing to take sides. Nhat Hanh continued his humanitarian efforts, rescuing boat people and helping to resettle refugees. ​Nhất Hạnh then spent decades living in exile, mostly residing in France during this time.

In 1967 Dr. Martin Luther King Jr. nominated Nhất Hạnh for the Nobel Peace Prize for his work for peace and reconciliation during the war in Vietnam. Nhất Hạnh played an important role in educating Dr. King about the reality of the war from a Vietnamese perspective and inspiring King’s transformation into a national leader in the anti-war movement.

In 1982 Nhất Hạnh established Plum Village France, the largest Buddhist monastery in Europe​ and the hub of the international Plum Village Community of Engaged Buddhism, a social movement composed of Buddhists who are “seeking ways to apply the Buddhist ethics, insights acquired from meditation practice, and the teachings of the Buddhist dharma to contemporary situations of social, political, environmental and economic suffering, and injustices.”

Nhất Hạnh published over a hundred books during his lifetime, which have been translated into more than forty languages, and have sold millions of copies worldwide. Some of his popular books include Being Peace, Peace is Every Step, and The Miracle of Mindfulness.

After a 39-year exile, Nhất Hạnh was permitted to visit Vietnam in 2005. Nhat Hanh was fluent in seven languages until 2014 when he experienced a brain hemorrhage that left him unable to verbally communicate for the remainder of his life. In 2018, he returned to Vietnam, to his “root temple,” Từ Hiếu Temple, near Huế, where he lived until his death in 2022, at the age of 95.

Thích Nhất Hạnh’s spirit is still very much alive. His students continue his work of healing, transformation, and reconciliation, establishing “communities of resistance” around the world. His teachings continue to be read widely, and I see his wisdom shared regularly on social media memes.

Some of the quotes that Thích Nhất Hạnh is known for include:

Walk as if you are kissing the Earth with your feet.

Letting go gives us freedom, and freedom is the only condition for happiness. If, in our heart, we still cling to anything— anger, anxiety, or possessions— we cannot be free.

People usually consider walking on water or in thin air a miracle. But I think the real miracle is not to walk either on water or in thin air, but to walk on earth. Every day we are engaged in a miracle which we don’t even recognize: a blue sky, white clouds, green leaves, the black, curious eyes of a child — our own two eyes. All is a miracle.

Feelings come and go like clouds in a windy sky. Conscious breathing is my anchor.

Waking up this morning, I smile. Twenty-four brand new hours are before me. I vow to live fully in each moment and to look at all beings with eyes of compassion.

Through my love for you, I want to express my love for the whole cosmos, the whole of humanity, and all beings. By living with you, I want to learn to love everyone and all species. If I succeed in loving you, I will be able to love everyone and all species on Earth… This is the real message of love.

The mind can go in a thousand directions, but on this beautiful path, I walk in peace. With each step, the wind blows. With each step, a flower blooms.

We are here to awaken from our illusion of separateness.

Life is available only in the present moment.

by David Jay Brown

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D.H. Lawrence Profile

D.H. Lawrence Profile

When I first met Carolyn in the early 1980s, one of the writers that we passionately discussed was British novelist and poet D.H. Lawrence. We had both enjoyed his novels and been inspired by his sensual writings.

David Herbert Lawrence was born in 1885 in Eastwood, Nottinghamshire, England. His father was a barely literate coal miner and his mother was a schoolteacher. Nottinghamshire was a coal-mining town, and Lawrence’s working-class background influenced his writings.

From 1891 to 1898 Lawrence attended a boarding school in Eastwood that is today named in his honor: D.H. Lawrence Primary School. Lawrence was the first local student to win a scholarship to Nottingham High School. Lawrence had a great love of books while he was young and throughout his life.

From 1902 to 1906 Lawrence worked as a schoolteacher in Eastwood. It was around this time that he began writing his first poems and short stories. In 1907 Lawrence won a short story competition, and he began working on a draft for his first novel. Lawrence enrolled as a full-time student at the University of London in 1908 and he earned a teaching certificate there.

For a while, Lawrence both taught and submitted his writings for publication to some of the literary journals of the time. His first novel, The White Peacock, was published in 1911. The novel explored the theme of love triangles and the damage associated with mismatched marriages. The book received generally positive reviews, and that same year Lawrence quit his teaching position in order to be able to write full-time.

In 1912 Lawrence met the woman who he was to share his life with, Frieda Weekley, and although she was already married when they first met, they eloped and left England for Germany. Once in Germany Lawrence was arrested and accused of being a British spy, although, thanks to an intervention by Frieda’s father, he was released.

That same year, the Lawrences walked from Germany, across the Alps, to Italy. This magnificent journey, with sights of incredible beauty, and Lawrence’s impressions of the Italian countryside, were recorded in the first of Lawrence’s travel books, Twilight in Italy. During his time in Italy, Lawrence completed his novel Sons and Lovers, and he also spent time with his good friend Aldous Huxley. Lawrence’s novel, about the emotional conflicts associated with suffocating relationships and the realities of working-class life, was published in 1913 and received positive reviews.

While in Italy, Lawrence also wrote the draft of a manuscript that was eventually divided into two of his best-known novels, The Rainbow, published in 1915, and Women in Love, published in 1920 as a sequel. In both of these novels, lesbian characters play prominent roles, and the novels were considered highly controversial when they were published. They were initially banned in the United Kingdom for obscenity. In 1922 the Lawrences moved to the United States and settled in Taos, New Mexico.

Lawrence’s final novel, Lady Chatterley’s Lover, was first published privately in 1928, in Italy, and in 1929 in France. The story is about a young, married, upper-class woman who has an affair with her working-class gamekeeper, and the novel revolves around the theme that love can happen purely from physical expression.

Lady Chatterley’s Lover wasn’t openly published until 1960 when it became the subject of an obscenity trial in the United Kingdom for its depiction of sexual intimacy and its use of forbidden language. It was initially banned in the United States, Canada, Australia, India, and Japan. Lawrence’s publisher won the obscenity trial in the United Kingdom, three million copies of the book were quickly sold, and the bans was subsequently lifted around the world.

Lawrence’s work, opinions, and artistic preferences, were highly controversial during his lifetime, and there were many people who didn’t like what he was writing; as a result, he endured quite a bit of persecution and much misrepresentation of his work. Many critics viewed his erotic writings as pornography. However, although Lawrence’s depictions of sexuality were seen as shocking at the time that they were published, they seem rather tame by today’s standards.

There is also a deeper, almost mystical philosophy underlying Lawrence’s novels that many of his early critics missed. The leading characters in his most controversial novels go through rebirth experiences, and they grow into more fulfilling versions of themselves. Also, according to Lawrence, “the journey into the unconscious is accomplished through sensual experience.” This is an important theme for Lawrence. He urges us to explore the impulses and desires of the unconscious in order to find our deeper selves. Lawrence didn’t trust the intellect because he believed that the mind distorts reality, and that bodily sensations are more concrete and thus more real.

Lawrence also wrote five screenplays and nearly 800 poems in his lifetime. He had a lifelong interest in painting as well, and this became his main form of creative expression during his final years. In 1929 Lawrence’s paintings were exhibited at the Warren Gallery in London and the show was extremely controversial. Over 12,000 people attended, and after some people complained about the artwork, the police seized thirteen of the twenty-five paintings. Lawrence was able to get the paintings back— but only under the condition that he never exhibit them in England ever again. Lawrence’s paintings are now housed in a hotel in Taos, and in Austin at the University of Texas.

Lawrence died young, in 1930, at the age of 44, and he was buried in Taos. Since 2008, an annual D. H. Lawrence Festival has been organized in his hometown of Eastwood, to celebrate his life and works.

Some of the quotes that D.H. Lawrence is known for include:

Be still when you have nothing to say; when genuine passion moves you, say what you’ve got to say, and say it hot.

But better die than live mechanically a life that is a repetition of repetitions.

This is what I believe: That I am I. That my soul is a dark forest. That my known self will never be more than a little clearing in the forest. That gods, strange gods, come forth from the forest into the clearing of my known self and then go back. That I must have the courage to let them come and go. That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women. There is my creed.

Life is ours to be spent, not to be saved.

I never saw a wild thing sorry for itself. A small bird will drop frozen dead from a bough without ever having felt sorry for itself.

One must learn to love, and go through a good deal of suffering to get to it, and the journey is always towards the other soul.

by David Jay Brown

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Robert Anton Wilson Interview

Robert Anton Wilson Interview

Carolyn and I have enjoyed our friendship with, and have been inspired by the late author and philosopher Robert (Bob) Anton Wilson.

Bob is the author of over 35 popular fiction and nonfiction books, dealing with such themes as our future evolution, unexplained phenomena, synchronicity, the occult, quantum mechanics, altered states of consciousness, the nature of belief systems, and the link between science and mysticism, with wit, wisdom, and personal insights.

Bob was born “Robert Edward Wilson” in 1932 in Brooklyn, New York. He suffered from polio as a child and found effective treatment through the Kenny Method, an unconventional treatment using hot moist packs applied to the muscles, that the American Medical Association refused to acknowledge at the time. Lingering symptoms continued, and he walked with a cane due to post-polio muscle spasms, but as a result of his positive experience with the Kenny Method, Bob remained open to alternative medical perspectives throughout his life.

Bob attended Catholic grammar schools in New York before gaining admission into Brooklyn Technical High School. After his graduation from high school in 1950, he worked as an ambulance driver, engineering aide, and salesman. From 1952 to 1957 Bob studied electrical engineering and mathematics at the Brooklyn Polytechnic Institute and English education at New York University from 1957 to 1958.

It was in the late 1950s that Bob first began writing professionally, as a freelance journalist and advertising copywriter. Around this time is when he adopted his maternal grandfather’s name, “Anton,” for his writings. In 1958 Bob married Arlen Riley, and they remained married until her death in 1999.

In 1962 Bob edited two magazines, one in Ohio called Balanced Living, and a New York magazine called Fact. Then in 1965, Bob started a job at Playboy Magazine, where he worked as associate editor until 1971. Bob co-edited the magazine’s Playboy Forum, a section consisting of responses to letters, and it was here that ideas for his most famous work, The Illuminatus! Trilogy began to percolate.

Published in 1975, Bob coauthored the cult classic trilogy with his associate Playboy editor Robert Shea. The trilogy consists of three novels that weave together a surreal, satirical, science fiction adventure that revolves around a web of intertwined conspiracy theories and historical facts involving a hidden organization called the “Illuminati” that is secretly running the world. Some of Bob’s other well-known fiction books include Schrödinger’s Cat Trilogy, Masks of the Illuminati, and The Historical Illuminatus Chronicles.

In 1977 Bob published his autobiographical book Cosmic Trigger: Final Secret of the Illuminati. This was Bob’s personal story of how his “self-induced brain change” experiments affected him, and it contains a whirlwind of radical ideas. It’s the single most transformative book that I’ve read in my life, and it inspired my career as a writer. Many of the people that I’ve interviewed—such as Timothy Leary and John Lilly — I first learned about from this extraordinary book. Bob later published two additional Cosmic Trigger volumes, and some of his other non-fiction books include The New Inquisition, Right Where You Are Sitting Now, and Quantum Psychology, which I wrote the introduction to in the latest edition.

Bob went back to school in the late 1970s and early 1980s. He received his Bachelor’s and Master’s degrees in psychology from Paideia University in California in 1978, and his Ph.D. in 1981. His dissertation on the 8-circuit model of consciousness, first developed by Timothy Leary, was reworked and later published in 1983 as Prometheus Rising, which became one of his most popular books.

In 1981 Bob and Arlen moved to Dublin, Ireland, where they lived for six years. They moved to Los Angeles in 1987, and to Capitola, California in 1995. Bob was a huge admirer of James Joyce and was an expert on his literary work. Bob once remarked, “Dublin, to me, is a James Joyce theme park.”

Bob had a remarkable talent for leading his readers into a perspective where they question assumptions that they didn’t even know that they had, and redefine their unconsciously-constructed notions of reality. He had an uncanny ability to guide people, unsuspectingly, into a mutable state of mind where they are playfully tricked into “aha” experiences that cause them to question their most basic assumptions about what is real and what isn’t. Remarkably, he accomplished this with a wonderful sense of humor, and his writings had a powerful, shamanic quality to them.

I first met Bob at one of his lectures in Santa Cruz in 1988. At the end of his talk, I asked him if he would consider writing a blurb for the back cover of my first book, which I was working on at the time. He didn’t respond with much enthusiasm, as though he got asked this question too many times that day, but he said to have my publisher send him a copy. You can only imagine my excitement when I later learned that he wrote an 11-page introduction to the book, Brainchild,” and Carolyn did the artwork for the cover!

From 1989 to 2007 I saw Bob at least once a week when I attended book readings, discussions, movie nights, celebrations, and other gatherings at his home in Los Angeles and then in Capitola. We read from great literary works, such as Joyce’s Ulysses, Ezra Pound’s The Cantos, and Bob’s own Illuminatus! Trilogy. We watched films by Orson Wells and episodes of The Prisoner.” Our friends Valerie Corral, Nick Herbert, and others used to come regularly. It was the best of times.

One evening in the early 1990s I brought Carolyn and Oz Janiger over to meet Bob and Arlen when they were living in Los Angeles. At the time Carolyn had an art exhibit at the Gallerie Illuminati in Santa Monica, which was a striking synchronicity that night.

Bob participated in the roundtable discussions on technology and consciousness with Carolyn and me (along with Ralph Abraham, Nina Graboi, Nick Herbert, Rebecca Novick, and Stephen LaBerge) at UC Santa Cruz in 1993. He sat across from Carolyn on the stage during the event— Mavericks of the Mind Live!— which was recorded by Sound Photosynthesis.

Bob died in 2007 at his home in Capitola. I miss him dearly. Bob had an uncanny ability to perceive things that few people notice, and he had an extraordinarily wide and well-integrated interdisciplinary mind, with an incredible memory. He had an encyclopedic knowledge of many different fields— ranging from literature and psychology to quantum physics, Buddhism, and neuroscience.

Despite some serious personal challenges over the years, Bob always maintained a strongly upbeat, optimistic, and perpetually cheerful perspective on life, and— regardless of the circumstances, and up until his final moments — he never failed to make me smile every time I saw him. Everyone who was fortunate enough to know him agreed; there was something truly magical about Robert Anton Wilson.

I interviewed Bob in 1989 for my book Mavericks of the Mind, which includes my interview with Carolyn. (Exciting news: The third edition of Mavericks of the Mind will be published next year by Hilaritas Press — more on this soon!) I interviewed Bob again in 2003 for my book Conversations on the Edge of the Apocalypse. Here is an excerpt from our conversation:

David: Synchronicity is a major theme that runs through your books. What model do you use at present for interpreting this mysterious phenomenon?
Bob: I never have one model. I always have at least seven models for anything.

David: Which one is your favorite?
Bob: Bell’s Theorem combined with an idea I got from Barbara Honegger, a parapsychologist who worked for Reagan. . . . Long before Barbara became a controversial political figure, she gave me the idea that the right brain is constantly trying to communicate with the left. If you don’t listen to what it’s trying to say, it gives you more and more vivid dreams, and if you still won’t listen, it leads to Freudian slips. If you still don’t pay attention, the right brain will get you to the place in space-time where synchronicity will occur. Then the left brain has to pay attention. “Whaaaat!?”

David: What do you think happens to consciousness after physical death?
Bob: Somebody asked a Zen master, “What happens after death?” He replied, “I don’t know.” And the querent said, “But you’re a Zen master!” He said, “Yes, but I’m not a dead Zen master.” Somebody asked Master Eckart, the great German mystic, “Where do you think you’ll go after death?” He said, “I don’t plan to go anywhere.” Those are the best answers I’ve heard so far. My hunch is that consciousness is a non-local function of the universe as a whole, and our brains are only local transceivers. As a matter of fact, it’s a very strong hunch, but I’m not going to dogmatize about it.

by David Jay Brown

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Hafez Profile

Hafez Profile

A few weeks ago I wrote a profile about the 14th Century Persian poet Rumi. A passion for Rumi’s poetry led me to the work of another 14th Century Persian poet, Hafez, whose beautiful spiritual poetry is equally insightful and inspirational. Carolyn and I have both enjoyed Hafez’s wonderful lyrical poems over the years, and his collected works are often regarded as some of the most treasured literature to emerge out of Persia.

Commonly known by his pen name “Hafez” (or “Hafiz”), the late Sufi poet was born as Khwāje Shams-od-Dīn Moḥammad Ḥāfeẓ-e Shīrāzī sometime between 1310 and 1325 in Shiraz, which is located in present-day Iran. Although accounts vary, most scholars think Hafez was born in 1315 or 1320. Not much is known for certain about Hafez’s early life, so historians rely on anecdotes to try and understand what happened, and separating fact from legend about Hafez is tricky, as many mythical stories were written about him after his death.

Hafez is said to have memorized the entire Quran when he was young, by listening to his father read it. He was given the name “Hafez” at an early age, which was a title given to those who had memorized the Quran by heart, and means “memorizer and safe keeper.” Hafez must have had an incredible memory, for he is said to have memorized numerous other writings as well, including the works of Rumi.

Hafez had two brothers; his father was a coal merchant who died young and left the family in debt. Hafez’s uncle helped to raise him, and he had to leave school to work for his family, first in a drapery shop and then in a bakery. While working at the bakery, Hafez had to deliver bread to a beautiful young woman named Shakh-e Nabat, who he fell in love with, and to whom many of his poems were addressed.

Enraptured by this young woman’s beauty, but knowing that his love for her would not be returned, he supposedly held a 40-day-and-night “mystic vigil” at the tomb of Baba Kuhi (a 10th Century Persian Sufi), where he encountered an angel. This was a life-changing event for Hafez, as the angel led him into his pursuit of a spiritual union with the divine.

Hafez became a Sufi, a practitioner of the mystic branch of Islam. He received a classical religious education, lectured on the Quran and other theological subjects, and he wrote commentaries on religious classics. Hafez married when he was in his twenties and had one child.

Hafez mostly wrote lyrical poetry, or what is known as “ghazals,” which are lyric poems with a fixed number of verses and a repeated rhyme, and usually set to music. Some of the themes of Hafez’s ghazals include love, faith, and exposing hypocrisy. He was also known to ignore the religious taboos of his time, and he found humor in some of his society’s religious doctrines. Hafez was a court poet, and as such, was supported by patronage from several successive Persian regimes, although he briefly fell out of favor with one of the rulers due to his mocking of inferior poets.

Hafez wrote approximately 994 poems, which were collected into (at least) 5 volumes, and his poems have been translated into all major languages. The Complete Divan of Hafez, which contains 793 of his ghazals and other spiritual love poems, is available in English translation. Translations of his collections Faces of Love, Beloved: 81 Poems from Hafez, and The Collected Lyrics of Hafiz of Shiraz are also available.

At the age of 60, Hafez is said to have begun another 40-day-and-night vigil, by sitting inside a circle that he had drawn. On the 40th day, it was said that he had achieved “cosmic consciousness” and attained spiritual union with the divine.

Hafez died in 1390. His tomb is located in Shiraz, the city of his birth. The Tomb of Hafez, known as Hāfezieh, is a popular destination for tourists. It is composed of two memorial structures erected on the northern edge of Shiraz, which house the marble tomb of Hafez.

Today Hafez is the most popular poet in his native country, and October 12th is celebrated every year as Hafez Day in Iran. His spirit is alive and well here too. His poetry is read widely, and I see Hafez’s wisdom shared on social media memes almost daily.

Some of the quotes that Hafez is remembered for include:

I wish I could show you… the astonishing light of your own being.

You, yourself, are your own obstacle; rise above yourself.

Your heart and my heart are very, very old friends.

What we speak becomes the house we live in.

This place where you are right now, God circled on a map for you.

The heart is a thousand-stringed instrument that can only be tuned with love.

For I have learned that every heart will get what it prays for most.

An awake heart is like a sky that pours light.

by David Jay Brown

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